MUSIC  LIB 

M 

1945 

H559S 

1884  HILLS,  WILLIAM  HENRY 

STUDENTS' SONGS  com- 
prising™ NEWEST  AND 
MOST  POPULAR  COLLEGE 
SONGS  AS  NOW  SUNG  AT 
HARVARD,  YALE..., ETC. 
COMP.  &ED.  BYW.H.  HILLS, 
HARVARD  C LA SE  OF  188Q 


THE  LIBRARY 

OF 

THE  UNIVERSITY 

OF  CALIFORNIA 

LOS  ANGELES 


MEREDITH  WILLSON  LIBRARY 

STANLEY  RING  COLLECTION 

MUSIC  LIBRARY 


senss* 


COMPRISING    THE 


NEWEST  AND  MOST  POPULAR  COLLEGE  SONGS 

AS   NOW   SUNG  AT 

HARVARD,  YALE,  COLUMBIA,  CORNELL,  JOHNS  HOPKINS,  DARTMOUTH,  AMHERST 

MICHIGAN,  VASSAR,  BROWN,  VVELLESLEY,  PRINCETON,  WILLIAMS 

BOWDOIN,    WESLEYAN,   TRINITY,    LAFAYETTE 

BOSTON,   TUFTS,   UNION,   ETC 


COMPILED  AND  EDITED  BY  WILLIAM  H.  HILLS,  HARVARD  CLASS  OF  1880 


CAMBRIDGE,    MASS 
MOSES     KING,    PUBi^ISHER 

HARVARD    SQUARE 


PREFACE  TO  THE  TWENTY-SIXTH  THOUSAND. 


Before  the  publication  of  "  Students'  Songs,"  there  was  no  collection  of  college-music  including 
the  songs  which  have  had  their  origin,  and  become  popular,  within  the  last  ten  or  fifteen  years.  All  exist- 
ing coUections  were  out  of  date.  The  new  songs,  of  which  a  great  number  had  sprung  into  life,  were 
nowhere  to  be  found  in  print.  They  were  known  to  comparatively  few ;  and  it  was  inevitable,  that, 
unless  they  were  put  in  permanent  form,  they  would  soon  be  forgotten,  and  lost  forever. 

The  first  edition  of  "Students'  Songs  "  was  prepared  in  iSSo,  with  a  view  to  preserving  these  songs, 
and  making  them  accessible  to  all.  The  success  of  the  book  was  immediate.  The  demand  exceeded 
the  supply,  and  the  sale  of  the  entire  edition  of  six  thousand  copies  in  less  than  four  months  showed  how 
urgently  the  need  of  some  such  collection  had  been  felt.  The  second  edition  of  "  Students'  Songs  "  was 
in  reality  an  entirely  new  book.  It  contained  none  of  the  songs  comprised  in  the  first  edition,  but  was 
made  up  of  other  wholly  new  songs,  equal  in  merit  and  popularity.  Like  its  predecessor,  it  had  a  most 
remarkable  sale.  The  whole  edition  of  five  thousand  copies  was  speedily  exhausted ;  and  for  over  a 
year — during  which  the  book  was  out  of  print,  owing  to  the  inability  of  the  compiler,  through  pressure 
of  other  duties,  to  prepare  a  new  edition  —  the  demand  continued  unabated. 

The  third  edition  of  "  Students'  Songs,"  published  in  May,  1S83,  comprised  nearly  all  the  songs  of 
both  the  first  and  second  editions,  together  with  more  than  twenty  pages  of  wholly  new  music,  including 
all  the  latest  college-songs  of  the  day.  In  less  than  six  months  the  edition  of  five  thousand  copies 
was  exhausted ;  and  a  new  edition,  in  which  the  plates  were  revised  and  corrected,  was  required.  And 
now,  in  August,  1884,  as  every  copy  of  all  previous  editions  has  been  sold,  a  still  further  edition  of 
five  thousand  copies  has  been  printed ;  and  it  is  hoped  that  they  will  aid  in  making  college  and 
home  life  more  happy  by  their  jolly  music  and  their  unique  songs.  Most  of  the  songs,  and  their  music, 
which  the  book  contains,  are  copyrighted,  and  to  be  found  in  no  other  collection. 

The  compiler  has  only  to  add  an  expression  of  thanks  to  the  public  for  the  continued  favor  which 

has  beeii  accorded  to  "  Students'  .Songs."     Much  of  its  popularity  is  due  to  Mr.  Frederick  R.  Burton 

(Harvard,  '82),  who  has  rendered  valuable  services  in  the  jjreparation  of  the  book. 

W.  H.  H. 
Boston,  Mass.,  Sept.  1,  1884. 


Copyright,  1880,  iSSi,  1883,  and  1884, 
By  WILLIAM  H.  HILLS. 


Fkanklin  Hkkss:  Kani>,  Avrky,  and  Company,  Boston. 


DPI 


i)i/;sfDEY^8i0o! 


3  8  J 


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INDEX    OF   TITLES. 


PAGB 

Annkx  Maid,  The 34 

Adka  Lee 43 

Bagpipes,  The 52 

Beautiful  Ballad  of  Waska  Wee 36 

Bold  Fisherman,  The 50 

BuLi^DoG,  The 59 

Ching-a-Ling-Ling 16 

Climbing,  Climbing,  Climbing 7 

Clotilda.  —  A  Serenade 53 

Cockles  and  Mussels 53 

Dear  Evelina,  Sweet  Evelina 20 

Drinking  Song 39 

Drink,  Puppy,  Drink 11 

DuKK  OF  York,  The.  —  March 31 

Fair  Harvard 10 

Farewell  Forever 44 

Forsaken  am  II 45 

Fra  Diavolo 35 

Gee  I  Whoa  I  Dobbin  1 57 

Gin  Sling 45 

H,  SO, 49 

HalicoI  Calico  I 54 

Horrible  Tale,  A 22 

In  Heaven  above 49 

I've  lost  my  Doggy 53 

I  wish  I  WERE  A  60 

Japanese  Love  Song 18 

Jingle,  Bells 32 

Lady  in  Crape,  The 47 

Maid  op  County  Perth 58 

Maid  of  York  Beach,  The 52 


rAGE 

Ma-ri  had  a  Little  Lamb 30 

Meerschaum  Pipe ~ 51 

Mermaid,  The ■     .  V] 

Merry  Chink,  Chink,  Chink,  The 46 

Michael  Roy 2$ 

Midshipmite,  The 12 

Mush,  Mush 40 

My  Bonnie 29 

My  Lady 43 

My  Love  at  the  Window 15 

My  Susanna 38 

Naughty  Clara j4 

Oh  I  Give  me  a  Home  by  the  Sea 5 

Q-  A-  X- 60 

Over  the  Garden  Wall 24 

Peanut  Song 23 

Poco's  Daughter,  The 33 

Polly-Wolly-Doodle 42 

Quilting  Party,  The 41 

Serenade 58 

Spanish  Guitar,  The 21 

Tally-Ho  I 14 

There  is  a  Tavern  in  the  Town    .....  8 

Three  Flies,  The.  —  Ballad 53 

Three  Little  Kittens.  —  Chant 60 

Two  Roses,  The 25 

'Way  up  on  the  Mountain-top-Tip-Top    ....  28 

Wellesley  College  Song 48 

Who  Can  Tell? 55 

"Yale  Men  Say."  —  Marching  Sons 17 

Young  Lover,  The 37 


STUDENTS'  SONGS. 


I 


Piano, 


OH!    GIVE  ME  A  HOME  BY  THE  SEA. 

Words  and  Music  by  E.  A.  Hosmer. 


Con  spirito. 


^^ 


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1.  Oh!    give      me      a  home  by    the  sea, 

2.  At    morn  when  the  sun  from  the  east, 

3.  At      eve     when  tlie  moon  in  heriiride, 


Where  wild  waves  are  crest  -  ed  with  foam,  Where 

Comes  man  -  tied  in    crim-son     and  gold.  Whose 

Rides  queen      of  the     soft  summer  niglit.  And 


fc^ 


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shrill       winds    are  car  -  ol    -   ing  free, 

hues  on        tlie  billows    are  east, 

gleams      on         the  murmur  -  ing  tide, 


As         o'er        the  blue        waters      they 
Which         spark  -  les  with       splendor       un 
With       floods        of  her  sil-ver    -    y 


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6      OH!  GIVE  ME  A  HOME  BY  THE  SEA.    Concluded. 


come ; For  I'd  list    to    the  o-cean's  loud    roar,     .     .     .    And    joy    in     its  stormi  -  est 

tol(j; Oh!        then  by   the  shore  would  I  stray,     .     .     .   And  roam  as  thehalcy  -  on 

light ; Oh !        earth  has  no  beauty  so         rare,    .     .    .   Kc    place  that    is  dearer    to 


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glee,  .  .  .  Nor  ask  in  this  wide  world  for  more,  .  . 
free,  .  .  .  From  en  -  vy  and  care  far  a  -  way,  .  . 
me,      .    .    .  Then  give      me    so    free      and    so       fair,      .    . 


Than  a  home  by  the  deep  heaving 
At  my  home  by  the  deep  heaving 
A  home  by  the  deep  heaving 


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o  o 


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sea.  A  home,    .         ...        a         home, 

sea. 


a        home        by  the  heav  -  ing 


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A        home, 


a     home. 


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a     home  by  the  heavinji  sea. 


B.C. 


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CLIMBING,  CLIMBING,  CLIMBING. 


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Tempo  di  valse.    mf 


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1.  O  -  ver  the   hills         a    maid  doth  dwell, 

2.  O  -  ver  the  bills        she  comes    to-night, 


Fair   -    er  than  the    rose, 

My  lore  so  sweet        and   fair ; 


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To 

Her 


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thee  I'll  sing,  my      fair    -    -   y    belle,       From  morn  till    eve     -    ning's  close, 

eyes  are  bright        with      laugh   -   ing  light.         The     moon    -    light  glints         her      hair. 


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Yodel.  La  la     yij  -  del  la  yii  -  del  la     yii  -del  la     la  la     la    yij  -  del  la    yo  -  del  la      la    la     la    la  la 

111,  1 


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Climb  -   ing,climb  -  ing,climb    -    -    ing 
Vocal  or  instrumental  accompaniment. 


in 

0   -  ver  the  mount  -ains    high 


-si J 1 — 0—1 0 — 0—i 0 — 0—i 0 — 0—\ « — S—C 0—0—L. 0 — ^— CZI — 0 — 0—\l 


la   la  la   la  la    la  la    la  la    la  la    la  la    la  la   la 

zum  zum  zum  zum  zum  zum  zum  zum 


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yo  -  del    la    yii  -  del      la    yii  -  del      la     la       la     la      la    la  la 

I  I  J  I  ,  -fS>-  J  . 


la       la    la      la    la. 

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Climb    •    ing,  climb   -    ing.climb 


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I  I     ^  I    I      u 

ing  0    -    ver  the   mount   -  ains   high. 

molto  rit. 
J— J. 


0 •— I • •— I • «— I « <— I  g *-_! ^ «— L« 0 a_l_,^^_ U 


la     la 


m^^ 


zum 


la     la  la      la  la     la 

zum  zum  zum 


la        la  la        la    la     la      la      la. 

zum  zum  zum. 


as 


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Copyright,  1883,  liy  Wm.  II.  Hills. 


! 


THERE   IS  A  TAVERN    IN   THE   TOWN. 


Andante. 


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J — Ph #— I — »-\ — C^— I — •— ^ — m-\ — 0—\ — U 1 

ta^BtMJ      !       Ill         I  n^    I      I       n  L  i I         tamUataB 


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Shouted. 


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1.  There  is  a     tav-crn     in    the  town,       in     the  town,    And  there       ray  dear  love  sits  liim 

2.  He  left         me    for      a    dam  -  sel  dark,     dam  -  sel  dark,     Each  Fri    -    day  night  tlicy  used    to 

3.  Oh  !  dig        my  grave  both  wide  and  deep,    wide  and  deep.  Put   tomb  -  stones  at    my  head  and 


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down,       sits  him     down.        And        drinks        his         wine        'mid 
spark,      used    to      spark.       And  now  my         love,  once 

feet,      head  and     feet,        And  on  my       breast     carve      a      tur 


\^m 


I 


laugh    -   ter         free.  And 

true  to  me,  Takes 

tie         dove,  To 


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Chorus. 


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ncv  -  er,  ncv  -  er  thinks  of  me. 
that  dark  dam  -  sel  on  his  knee, 
sig    -      ni  -  fy         I      died    of      love. 


Fare  thee   well,   for      I     must  leave  thee,  Do    not 


Coprrighl,  1881,  by  Wm.  II.  IIlLLs, 


THERE  IS  A  TAVERN  IN  THE  TOWN.    Concluded.    9 


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let   the  part- ing  grieve  tliee,And  re  •  mera-ber  that  the  best  of  friends  must  part,  must  part.  A- 


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dieu, 


a   -   dieu,  kind  friends,  a  -  dieu,   a  -  dieu,   a  -  dieu,         I        can 


no    lon-ger  stay  with 


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poco  rit. 


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you,       stay  with  you,         I'll  hang        my         harp         on       a      weep-ing      wil  -  low     tree,      And 

poco  rit. 


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1st.  and  2d. 


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may 


the   world    go     well   with    thee. 


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10 


FAIR   HARVARD. 


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1.  Fair       Har-Tanl !  tliy  sons    to    thy        ju  -  bi  -  lee  throng.  And  with    bless  -  ings  sur-  ren-  der  thee 

2.  To  thy  bowers  we  were  led    in    the     bloom  of    our  youtli,  From  the    home    of    our     in  -  fan  ■  tile 


^^ 


=P=P= 


:t=ir 


o  er, 
years, 


By  these  fes  -  ti  -  val  rites,  from  tlie    age  tliat    is    past,    To  the  age  that 
When  our  fa-thers  had  warned,and  our  moth-ers  had  prayed,And  our  sis-  ters 


IS    wait 
had  blest, 


■  ing  be  - 
thro'  their 


f^33=i=S=d= 


-A — H W- 


&— &- 


::s=^ 


fore.  O       rel  -  ic  and   type      of  our     an  -  ces-tor's  worth.That  has  long  kept  their  mem-  o  -  ry 

tears ;         Thou  then  wert  our  pa-  rent,  the    nurse  of    our  souls, We  were  mould-  ed   to  man-  liood  by 

. I 


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warm,        First  flow'r  of  their  wil-  der-  ness!   star  of  their  niglit.Calm  ris-ing  thro'  change  and  thro'  storm ! 
thee.     Till  freightedw-ith  trcasure-tlio'ts  friendsliips,andhopes,Thou  did'st  launch  us  onI)es-ti  -  ny 's   sea. 


3  When,  BR  pilgrims,  wo  come  to  revisit  thy  halls. 

Til  what  kinilliiiKn  the  seaBon  gives  liirth  ! 
Tliy  nhftdcit  ari'  more  noothing,  thy  Bunlight  more  dear. 

Than  (Icwcnd  on  Icmk  privilrgcd  cnrlh; 
For  the  good  and  the  gnat,  in  their  beautiful  prime, 

Tliroiigli  thy  precinctn  liiive  inuHingly  troi! ; 
An  they  ginhil  their  npiritu  or  deepened  the  streams 

'I'liiit  make  glad  the  fair  city  of  (iod. 


4  Farewell !  be  thy  destinies  onward  and  bright ! 

To  tliy  children  the  lesson  still  give. 
With  freedom  to  think,  and  witli  ])atience  to  bear, 

And  for  right  ever  bravely  to  live. 
Let  not  nmss-ciivered  ernir  moor  thee  at  its  side. 

Ah  the  world  on  truth's  current  glides  by ; 
Be  the  herald  of  light,  and  the  bearer  of  love. 

Till  the  stock  of  the  I'uritans  die. 


Moderato.  mf 


DRINK,   PUPPY, 


DRINK. 


11 


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-t-t 

1.  Here's    to      tlie  fox      in      his    eartli    be-low     the  rocks!And  here's      to      the  line       that     we 

2.  Here's    to      the  horse,  and  the       ri    -  der  too,     of  eourse.And  here's       to      the   ral- ly     o'       the 

3.  Here's    to      the  gap,     and  the      tim  -  ber  tliat    we  rap.  Here's       to      tlie  white  thorn  and  the 

4.  Oh,    the  pack  is  stauncli  and  true,now  they  run  from  scent  to  view,  And  its  wortli  the  risk  to  life  and  limb  and 


8ves. 


i 


^^3: 


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fol  -  low, 

hunt,boys, 
black.too ; 
neck.boys ; 


And 

Here's  a 

And 

To 


here's       to        the  hound  with 

health  to   ev     -     'ry  friend,  who 

here's       to        the  pace      that 

see  them  drive   and  stoop    'till 

g A 


his  nose  up  -  on        the  ground.Though 

can  Strug  -  gle     to         the   end.      And 

puts  life  in  -   to         the  chase, And  the 

they       fin  -  ish    with  "Whowhoop"  For-ty 


-A- 


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-b-t» 

mer  -  ri    -  ly   we  whoop, and  we  hoi-  loa. 
here's  to  the  Tally  Ho  in  front.boys. 

fence  that  gives  a  moment  to  the  pack,too. 
min-utes  on  the  grass  without  a  check,boys. 


Then  drink,pup-py,driiik,And  let    ev-  'ry  pup-  py  drink.That  is 


a 


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Sves. 


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e  -  nough      to    lap        and    to      swal-low, 


For  he'll  grow       in  -  to a  hound,     So  we'll 


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pass     the  bot  -  tie  round,And    mer  -  ri  -  ly    we*U  WHOOP,*and  we'll  hoi  -  loa!  hoi     loa 


■  Falsetto  shriek  ad  lib 


12 


THE   MIDSHIPMITE. 


Words  by  Fred.  E.  Weatheklt. 
Con  spirito.L. 


Music  bv  Stephen  Adams. 


gEE 


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-*~i~i. 


1.    'Twas  in     'fif  -  ty      five,      on      a    win  -  ter's  night, 


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Cheer-  i  -    ly,    my  lads,       yo         Iio !  We'd      got        the      Koosh  -  an       lines       in       sight,     Wlien 


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up   comes  a       lit  -  tie 


mid    -   sliip-niite,  Clieer-i-ly,  my  lads.yo     ho!  "Who'll  go     a- shore       to 


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night,"    lays  he,      "An'      spike  their  guns        a  -  long      wi'      me  ?""Wliy,bIe88     ce,  sir,    cornea 


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THE  MIDSHIPMITE,    Concluded. 

CHORUS. 


13 


± 


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long,"  says    we,         Cheer-i  -    ly,  my   lads,    yo 


ho! 


Cheer  -  i 


ly,      "ly 


lails, 


yo 


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tempo. 


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s 


rail. 


Chorus. 


^ 


»=g 


ho! 


With       a     long, 


long     pull.      An'         a         strong,  strong     pull. 


fiz:^ 


1^ 


^^^^ 


t=i^ 


rail. 


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lie 


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Gai  -  ly,  boys,   on  make  her        go  I 


An'  we'll  drink  to  -  night      To    the     Mid     •     •  ship 


^ 


^    ^  rallr~==i:  ft 


m 


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;  f  voce. 


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s — S— -• S — Jf- 


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Last  time. 


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niite.      Sing-  ing  Cheer  -  i    -    ly,      lads,  yo        ho ! 


y     a 


X      s 


Last  time. 


«      X 


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1 


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"yr- »Kr- 


n- 


2  We  launch'd  the  cutter  and  shoyed  her  out, 

CHO.    Cheerily  my  lads,  yo  ho  ! 

The  lubbers  might  ha'  heard  us  shout, 

As  the  Middy  cried,  "  Now,  my  lads,  put  about !" 

cno-     Cheerily  my  lads,  yo  ho  ! 

We  made  for  the  guns,  an'  we  ramm'd  thera  tight. 

But  the  musket  shots  came  left  and  right, 

An'  down  drops  the  poor  little  Midshipmite.    Cho. 


3  "  I'm  done  for  now  ;  good  bye  ! "  says  he, 

CHO      Steadily,  my  lads,yo  ho  ! 

"  You  make  for  the  boat,  never  mind  for  me  !" 
"  We'll  take  ee'  back,  sir,  or  die,"  says  we, 

CHO.     Cheerily  my  lads,  yo  ho  ! 

So  we  hoisted  him  m,  in  a  terrible  plight, 
An'  we  pull'd  ev'ry  man  with  all  his  might. 
An'  we  sav'd  the  poor  little  Midshipmite.     Cho. 


14 


TALLY   HO  ! 


Allegro. 


1.  On         the       nine  -  teenth        of    March,      in 

2.  We  met  on     Scrag  -    gy    moun  •    tain 


the      year         fif 
at    Barney    Brek 


ty  -  three, 
lin's     inn, 


We 
Where 


^^ 


£ 


had      a       re  -  ere    ■      a    -    tion        in      our    coun-tree;    Just     four  and  twen  -  ty  gen-  tie -men   came 
ev  -  ery  man    his  whis-key  took  that  shivered  in  his  skin  ;    At       six      o-  'clock    old    Bil-  ly's  horn      re  - 


i 


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down     from  Bal  -  ly  Box,      On    four      and    twen  -  ty        hor      -      ses.        In   search      of  a    fox. 

sound  -  ed    in    our    ears,  And     ev     -  ery   man       his    sad  -    die  took      'mid    four    and   twenty  cheers. 


i 


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Chorus. 


m 


JUJ  J'--¥=^ 


repeat  accel. 


i 


ia 


s — ^ 


Tal  -  ly  ho !  hark-  a-way  !  Tal-  ly   lio  !  liark-  a-  way  !  Tal-  ly  ho  !  hark-  a-way,  my  boys,  a-way  '  hark-  a-way. 


P^^^^^wp^^^^p 


4 


i 


^=^= 


3  When  Sir  Reynard  was  started  he  made  straiglit  for 

the  hollow 
Where  none  hut  the  huntsmen  and  the  blooded  nags 

dare  follow ; 
From  six  to  twelve  ho  led  the  pack  'mid  hedge  and 

ditch  H\il>liine, 
But  lost  bin  way  in  Dolly'i  Brae  for  purely  loss  of 

time. — Clio. 


When  Mr.  Fox  was  caught  at  last,  he  laid  him  down  to 
die, 

And  while  the  dogs  were  kept  at  bay  he  muttered  with 
a  sigh, 

"  To  him  that  cleared  that  five-barred  gate,  and  first  dis- 
mounted hero, 

I  leave  my  tail  and  coat  of  mail  for  four-and-twenty 
year. — Cho. 


MY   LOVE  AT   THE   WINDOW. 


lo 


Tempo  di  Valse. 


feEifed 


m=^m 


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HASSES    J{  JJ 


-p-^-*- 


^^¥=^'- 


1.  I        see        my      love      at        the  win  -  dow,'"')!',  look.iook!    I        gee        my      love  at        the 

2.  Oh,   there      she        is        at        the  win  -  (low.  Oh,  there      she       is     at        the 

3.  She  throws      a       kiss     from      the  win  -  dow,  She  throws      a       kiss  from    tlie 


BASSES, 
win-dow,  look, 
window, 
win-dow. 


m. 


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look.look!  I  see  my  love  at  the  win 
Oh,  there  she  is  at  the  win 
She  throws    a      kiss  from      the       win 


dow,  Look !  you  can  see  her  now. 
dow.  Look !  you  can  see  her  now. 
dow.       Look !  you  can    see        her      now. 


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Yodel. 


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La      la       la  la 

Vocal  accompaniment. 


la      la     la    la        la  la     la 


la        la  la    la 


la     la     la 


Zum  zum 


zum  zum 


zum  ztmi 


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la        la        la      la  la  la      la 


la 


la      la. 


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la  la 


la  la 


~* *" 

la     la  la   la 


la  la 


la      la 


la  la    la. 


zum  zum. 


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Copyright.  1983,  by  Wm.  H.  Hills. 


16 


CHING-A-LING-LING. 


i 


mf  Qrazioso. 


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1.  We      rev  -  el     in       song,  in     Spain  we     be  -  long, 

2.  We  charm  and  en  -  trance         all     men     in    the  dance, 


Far         o'er         the     o    -    cean,  when 
Come       tliey       from  near        us,    or 


i 


-Jr-N- 


S^E^EE^^ 


ife-zS 


Lu      -      ci    -   fer's        star  Shines  clear  in     the      east.  We  re  -  turn  from  the    feast  To  the 

come       they  from        far ;  We    dance  and   we     glide,        While    loud,  far     and  wide,   Sounds  the 


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Allegretto. 


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tune        of      our    light  gui  -  tar.  Ha!     Ha!    Ching-a-ling-a-ling!cliing-a-ling-a-ling !  Ha' Ha !      Ha! 


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Ha !  Thene  were  the  words  which  we  heard  from        a  •  far :  Ching-a-ling  -  a-ling  !  chingaling  a-ling  : 


feLyj=fe=i^iEi 


CHING-A-LING-LING.    Concluded. 


17 


"YALE  MEN   SAY."— MARCHING  SONG. 


Tew.po  di  marcia. 


ff^l 


^-^ 


s 


1.     Yale        men  say 


their      crew        is      sure  to         win, 


Let        them 


1    T    1- 


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talk        and    put        up    all       their    tin; 


::^;1M-A- 


i^^^^r^^ 


We      will  bet        all        the  mon-ey    we   have    in 


-J— • — • — 0 — •-— 


tJ 


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EES^^E^^ 


'i- -^ V — u- 

riew      That      we'll  show  four  miles      of        rud  -  der        to        the   crack   New   Ha  -    ren        crew. 


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Coiiyriglit,  1883,  by  Wm.  H.  Hills. 


18 


JAPANESE  LOYE  SONG. 


Words  by  W.  Yardley 
Tempo  rubato-:^: 


Music  by  Cotsford  Dick. 


|tV^ 


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=^ 


=P^^- 


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E?=?i 


-N-^ 


'"/ 


■t'  -•-    -•- 


0=w=r- 


A 


Sf^i 


=P=p: 


=P=P»: 


IJCI3C 


|J^ 


~p~~r 


fe:*E 


nczjc 


:b=P: 


:^»=i:»=ii: 


:»=rfi: 


1.  Me  once  -y    time    a  -   go.      Knew  nice-  y      lit  -  tie    man,    He  name  him-  self  -ey    Pea    Cue 

2.  Lit-  tie    mis  -  sy,  laugh-  y    guess,   So        hap-py      as     she   am,  "  Ask   pap-  py    dear-  y  Cliang    Fi 


8va,. 


He    loT-  ey    mis  -  sy      so, 
Yum  pap-  py    nod  -  dy   yes. 


She      call  her  name-y    Fan)"HoAv 
Him    sweet  as    jol  -  ly    jam,    And 


i^^ 


=P=P: 


^ 


5** 


S^ 


Wf 


i 


Piu  lento. 


^=^e^3E^ 


?=PS= 


^ 


do  -  ey  niissey, well? "Chin  •  Chin, 
ber  -  ry  mummy  nice,Chow-  Chow. 


He  kiss-  ey      lit  -  tie     miss-  y,    (She 
Uni   lov-  ey      lit  -  tie    dove  -y,      Um 


call  her  name-  y    Fan)      I,it  -  tie 
duck-  y      lit  -  tie    Fan,      Pit  -  ty. 


miss  •  ey  which  he  love-  y   much- 
pop  -  sy,  wop-  sy,  tid  -  dy,    ic  - 


ey         80, 
kle       sing, 


Lit -tie 
And 


JAPANESE   LOVE  SONG.    Concluded. 


19 


5 — U — iS — 5 — 5 — p 1 


?F=£ 


^^ 


=^-=/-J^-/- 


mis-sy    when  lie    kis  •  sy,  "Go      a    -    way  um  naughty  man,"     Rut   uni      nauglity,  naughty  man, 
dov  -  ey  say    she  love  -  y,    For   her       fin  -ger  bring  a     ring,    For    her        fin  -  ger  bring  a    ring, 


P^ 


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-#- 
a  tempo. 


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J^^e^eeI 


'^^^E^^-^E^ 


^m^$^- 


But  um  nauglity,  naughty    man, 
For  her  fln  -  ger  bring    a    ring, 


But   um  naughty  man     a  -  way  um    wouldn't 
For  her  fin  -  ger  bring    a  Ching    a    ring     a 


m. 


f 


p 


^ 


go,         go         go ! 
ring     Ching    ring ! 


Tip    Top  Whip    Top     Sing      So      Hi, 
Tip    Top    etc. 


Hum      Top     Sing        So  Lo; 


fe 


fc:^ 


mf 


1st  ending.  V     Last  ending. 


±=53S 


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^=:^z±=:fc 


5.^5^ 


i 


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•    -"^-^^ ' -— *-  ... 

Chip  Chop  Cherry  Chop  up    to     the  very  top ;     Tumble  down  lo  Sing    So. 


^ 


So. 


20 


DEAR   EVELINA,   SWEET   EVELINA. 


Allegretto. 


::1= 


:=t 


^ig 


j  Way  down     in        the    mead-  ow    where  the      li    -    ly      first  blows,  Where  the  whul  from      the 

j  fond  Et    -    e    -    li    -    na,          tlie      sweet      lit  -    tie  dove,        The  pride     of        the 

(  She's  fair      as          a       rose,  like           a          lamb    she       is  meek.      And  she  nev  -  er       was 

1  most  grace  -  ful    curls  hangs      her           ra  -  ven  •  black  hair.         And  she      nev  -    er 


m 


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mf 


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V^- 


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-»— ii 


rose; 


i 


ruf 


moun-  tains    ne  er 

val     -    ley,      the  .... 

known     to         put        paint 

re       -       quires     .... 


fles 


the 
her 


Lives 
cheek ;  In  the 


girl       that        I  love, 

per  -    fum  -    er^-        there. 


t: 


m 


zd.1 


f=r 


d= 


m 


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M 


Chorus.y 


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^ 


* ^- 


~ji=tt 


-*— •— ^- 


Dear  Ev    -  e  -    li  -  na,      sweet  Ev   -  e  -  li  -  na.        My  love    for  thee    sliall  nev  -  er,  nev-er    die ; 


i 


^^=^=^; 


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m 


-*#—*• — I       i***  ^         ^» — *•- 


/ 


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t=di 


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^ 


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^9 — «- 


ir 


■3*- 


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t^fe: 


-•— r- 


3: 


lt=t 


:# — ^ 


-^?-=i- 


Dear  Ev    -  e  -    li  -  na,      sweet  Ev    -  e  -    li  -  na,        My  love    for  thee        shall  nev  -  er,  nev-er     die. 


jP- 


f 


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3  Evelina  and  I  one  fine  evening  in  June  4  Three  years  have  gone  by,  and  I've  not  got  a  diillar. 

Took  n  walk  all  alone  by  the  light  of  the  moon,  Evelina  still  lives  in  that  green  grassy  holler, 

Tlie  pliinetH  all  »hone,  for  the  heavens  were  clear,  Although  1  am  fated  to  marry  her  never. 

And  I  felt  round  the  heart  most  tremendously  queer. — Clio.     I've  sworn  that  I'll  love  her  for  ever  and  ever. — Ciio. 


THE   SPANISH    GUITAR. 


21 


M,  Moderato.  mf 


^m 


&^^ 


;^^^^=:^feg^p^E^ 


-7i=^ 


■^t- 


1.     When     I     was       .a   stii-  dent    at    Ca  -    diz, 
I'm  uo   long-  er       a   stu-  dent    at    Ca  -    diz, 


I  played  on     the   Span-ish  Gui-tar  chinglching!  I 
But  I  play  on     the   Span-isli  Gui-tar  clunglcliing!  And 


-A^- 


^£z&^ 


nif 


^pjj 


^^^ 


m^ 


jy  J. 


-SI— - 


sS 


j-tk 


-^—v- 


g^i 


used  to   make  love    to    the       la  -  dies, 
still    I      am    fond   of    the       la  -   dies, 


=* 


^^ 


m^i 


I      think  of  tliem  now  when  a  -    far,   ching !  ching ! 
Though  now  I'm      a    liap-  py      pa  -  pa,   ching  !  ching ! 


Si 


1=]: 


Chorus. 


P 


r—i^- 


m^ 


JV--N1 


-N &, 


N ^ 


SEiE 


N N- 


=J:rti: 


itrti: 


--i=--t- 


Eing!ching!ching!Ring!ching!ching!Ring  out  ye  bells,      oh,  ring    out    ye  bells,         oli,  ring  out    ye  bells  1 


m. 


¥t- 


J=t 


rtfc 


M= 


=P=::t 


Repeat  chonis  snfily. 


m 


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ES 


Ring!ching!ching!ring!ching!chmg!ring   out  ye  bells,      As    I  play     on   the  Span-  ish  gui  -  tar,       chinglching! 


^S^ 


i|=!t-| :M: 


=^ 


^ 


OopyrlgDi   1883  bv  w'm.  H.  Hills 


22 


A   HORRIBLE   TALE. 


i 


Andante  dolorosa. 


More  doloroso. 


5=F#^ 


-^- 


f 


'■I  The 


Oh !    a       lior  •    ri   ■  ble       tale         I 
pa   •    ri   -   ent       was        so 


i 


still  more  doloroso. 


;fe^ 


¥ 


liave    to        tell.         Of      sad     dis   -  as  -   ters     that      be  -   fel  A  fam  •  i     -    lee 

grim     a        guf-fin    He     nev  -  er      liked    no      fun     nor    nuf-fin,  And     he     nev  •  er     made 


that 
the 


^=^ 


r  r   r 


*  * 


*    •- 


m 


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^3 


^      ^      =t  =1:      =t      =t 

-•-      -•-      -•-  -•-      -»- 

As  much  doloroso  as  possible. 


^?F=P 


^ 


rit=&-=i: 


-=l--5^ 


N      N 


once        re    -    sid  -  ed  Just     in     the     ve  -  ry      same        thor-ough-f  are  as    I    did. 

least  -  est  en  -    deav-or    To    crack     a  joke,         not  wliat    -    sura   -   dev  ■  er. 


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^ 


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$ 


Chorus,     prestissimo. 


poco   cres. 


m 


>i IV -^ &- 


-^ 


^- 


--M=^- 


For,     oh !      it        is       such  a     hor  -  ri  -  ble     tale,    'Twill  make  your  fac    -    es       all    turn    pale;  Your 


'^i^^E$EE^t^EE$=^^th::M^Ef:  1'.',:?^ 


#-^- 


i 


m. 


eyes    with    grief  will      be    o   -   ver  •  come,        Twee  -  die      twad  -  die       twid-dle  twiddle twum. 


e 


^^^^^^m 


i 


^7   1 


m 


g 


J^3: 


3ES^ 


I 


A  HORRIBLE  TALE.    Concluded. 


23 


2.  Tlioy  nev-cr  saw  no  conipa-ncc, 

Tliougli  tlioy  was  a  most  rospcctablo  fa-nii-lee 
And  ev'ry  boy  anil  ev'ry  gall 
Grew  liy-po-con  iler-i-acal. 
They  tliouglit  tliey  had  all  sorts  of  sorrers, 
And  conjuri'd  u|)  all  kinds  of  horrors, 
Each  had  a  face  as  loii^'  as  a  ladder, 
And  was  frightened  into  fits  if  they  see  their  own 
shadder. 

8.  They  sat  with  the  cur-tains  drawn  down  tight. 
On  pur-pose  for  to  keep  out  the  liglit, 
Fa-ther,  nio-ther,  sister,  and  brotlier. 
Ne-ver  spoke  a  single  word  to  one  another. 
Well,  at  last  this  doleful,  dismal  lot. 
So  dreadful  mel-an-cho-ly  got, 
That  an  end  to  theirselves  they  did  agree, 
Just  as  soon  as  they  could  settle  upon  which  end  it 
was  to  be. 

4.  First  the  father  into  the  garden  did  walk. 
And  cut  his  throat  witli  a  lump  of  chalk; 
Then  tlie  mother  an  end  to  herself  she  put, 
By  a-hanging  of  herself  in  the  water  butt ; 
Then  the  sister  went  down  on  her  bended  knees. 
And  smothered  herself  with  a  toasted  cheese  : 
But  the  brother  who  was  a  determined  young  feller, 
Went  and  poisoned  himself  with  his  uraberella. 


Tlien  tlie  little  baby  in  the  cradle, 
8hot  itself  dead  with  the  silver  ladle. 
While  the  servant  girl  seeing  what  they  did. 
She  strangled  herself  with  the  saucepan  lid  ; 
The  miserable  eat,  by  the  kitchen  tire. 
Swallowed  a  portion  of  the  fender  and  did  expire : 
And  a  tiy  on  the  ceiling — tliis  case  was  the  wust'  un. 
Went  anfl  blowed  itself  up  with  siiontaneous  combus- 
tion. 

Then  in  there  walked  the  auctioneer 

Who  did  with  the  furniture  disappear, 

And  the  broker's  man, —  this  ain't  no  fable, — 

Made  himself  away  with  a  three-legged  table  ; 

Wlien  the  walls  saw  this,  their  sides  they  splits. 

The  windows  cracked  themselves  to  bits; 

And  so  universal  was  the  slaughter  rate. 

There  was  nothing  left  at  all  l)ut  an   unpaid  water 

rate. 
Moral.     So  here's  a  moral  if  you  choose, 

Don't  never  give  way  to  the  blues. 

Or  you  may  come  to  the  dreadful  ends, 

Qf  these  my  melancholy  friends. 

For  ain't  it  now  a  norrible  tale, 

Hope  it's  made  your  faces  all  turn  pale. 

Your  eyes  with  grief  is  overcome, 

Tweedle,  twaddle,  twiddle  twaddle  twum! 


Energetically,    ad  lib. 


PEANUT   SONG. 


^^fe 


m 


I  Oh ! 


ye       fel  -  lers    that    have      pea  -  nuts      And   give    your  neigh-  bor 
I't    have     an  -   y        of       my      pea  -  nuts    When  your      pea-nuts      are 


none; 
gone, 


-•- 

Yer 

When 


shan't    have    an    -    y        of 


my 


pea  -  nuts,    When    your     pea  -  nuts       are 


gone. 


i 


— 1^ 


z4 — 4 — iz 


^m 


i 


-:^-- 


Oh! 
Oh! 
Oh! 
Oh  ! 
Oh! 

7.  Oh  ! 

8.  Oh ! 

9.  Oh  ! 


all  ye  fellers 
all  ye  fellers 
all  ye  fellers 
all  ye  fellers 
all  ye  fellers 
all  ye  fellers 
all  ye  fellers 
all  ye  fellers 
etc. 


that  have 
that  have 
that  have 
that  have 
that  have 
that  h.ave 
that  have 
that  have 
Spokes. 


sherry  chicken,  and  give  your  neighbor  none,  etc. 
pickled  persimmons,  and  give  your  neighbor  none,  etc. 
huckleberry  pot-pie,  and  give  your  neighbor  none,  etc. 
soft,  sweet,  soda-crackers,  and  give  your  neighbor  none,  etc. 
nice,  sour,  Messina  oranges,  and  give  your  neighbor  none,  etc. 
Mrs.  Winslow's  soothing  syrup,  and  give  your  neiglibor  none,  etc. 
ripe,  ricli,  red  strawberry  short-cake,  and  give  your  neighbor  none,  etc. 
California  clam  chowder  and  oysters  on  the  half-shell,  and  give  your  neighbor  none. 
Not  if  I  knows  myself. 

Copyriglit.  18S3.  by  Wm.  II.  Hills. 


24 


OVER   THE   GARDEN   WALL. 


TVords  by  IIarrt  Hunter. 


Music  by  G.  D.  Fox. 


Vii-nce. 


m 


i=^ 


e£1 


1.  Oh,  my   love    stood  un  -  der  the    wal   •    nut   tree, 

2.  But    her    fath- er  stamped  and  her  fath  -  er    raved, 


O  •  ver      the      gar  -  den      wall, 
O  -  ver     tlie      gar  -  den      wall, 


She 
And 


^=± 


^1 


=<=*: 


P 


^  ^r    r 


^1 


#5 


& 


--^ 


-zt 


-± h 


i 


i=^ 


4ft 


whis-pered    and    said    she'd  be      true        to      ine, 
like      an      old    mad       -       man    he         be  -  haved, 


O  -  ver     the     gar    -    den      wall.  She'd 

O  -  ver     the    gar    -    den       wall.  She 


^=S=E3 


i^:^: 


*S.=^ 


-i—9r 


^—4 


i 


m 


^=E 


-X    Jr 


# 


$ 


^^ 


rSt 


=N^Ht: 


;^ 


Et^ii 


beau  -  ti  -  ful  eyes,    and  beau  -  tl  -  ful    hair.     She  vjas  not  ver  -  y    tall,    so    slie    stood  on     a    chair,    And 
made  a     bou-quet       of    ro      -      ses  red,      Butim-me-di-  ate  -  ly  I  popped  up    my  head.     He 


^ 


t  t    t  t 


r^ 


5    t 


T— t- 


n 


tr-'5 


E^E 


-r    -^ 


m 


■It 


55 


-•--#-*    ' 


::^=t 


^ 


i 


man  -  y 
gave    me 


T 


a      time  liave      I    kissed     her  there, 
a      buck  -  et       of    water     in  -  stead, 


^f 


ZM=:ti-. 

-X    -i- 


*  t 


o 
o 


-:r^- 


ver  the 
ver  the 


gar 
gar 


*  t 


den  wall. 
den  wall. 


W 


—4— 


"rr 


OYER  THE  GARDEN   WALL.    Concluded. 


25 


Chorus. 


^^^^^ 


^^ 


fe=«t 


::i^=3z 


Ov-er  the  gar-den      wall,        The   sweetest  girl  of 


There  ne-ver  were  yet  such  eyes  of  jet,  And 


y=^t^ 


^ 


■•"jS!"    "I 


3: 


-•-  -0-0- 

-9 — S~S— 


-0f--0B-0fr  -'f- 


P=^=^- 


*=it 


i 


8=8=F=Fp=F=F=r 


!^^^ 


|g^ 


:1^=i: 


i^ 


HCTfC 


:if^ 


r^-^- 


I 


you  may  bet  I'll     nev-er  for- get  The  night  our  lips    in       kiss -es  met,       0-ver  the  gar-den    wall. 


£: 


£= 


-F-V-t^ 


^^ 


i^t 


=^ 


^Sl 


^S 


M=t 


3  One  (lay  I  jumped  down  on  tlie  other  side, 

Over  tlie  garden  wall, 
And  she  bravely  promised  to  be  my  bride, 

Over  the  garden  wall ; 
But  she  screamed  in  a  friglit,  "Here's  father,  quick! 
1  have  an  impression  he's  bringing  a  sticK." 
But  I  brought  tlie  impression  of  half  a  brick, 

Over  the  garden  wall. — Cho. 


I. 

4  But  where  there's  a  will  there's  always  a  way. 

Over  the  garden  wall, 
There's  always  a  night  as  well  as  a  day. 

Over  the  garden  wall ; 
We  liadn't  much  money,  but  weddmgs  are  cheap, 
So  while  the  old  fellow  was  snoring  asleep. 
With  a  lad  and  a  ladder,  she  managed  to  creep 

Over  the  garden  wall. — Cho. 


THE  TWO   ROSES. 


Andante,  mf 


Wekner. 


bank     two        ro     • 
leaves    of       white 
3.    Like      her      cheeks  the      blush 


1.  On  a 

2.  Thus      in 


ses    fair, 
ar -  rayed, 
iug      ray. 


i 


Wet  with 

Not  a 

Which  the 

I  ^ 


morn   -   mg 

speck       to 

bud        en 


show     -      ers, 
dim  them, 

clos     -     -  es, 


?^ 


t= 


:^S5t 


P 


^^ 


S 


^-=^= 


I 


ieee^^Jee^^eP?^^^^^ 


— I — v-^ 

Gemmed  with  dew,    in      fra-grance  grew, 
So      I     find      the      spot  -  less  mind 
Bright  -  er    far     than  you    they  are ; 
P  .        ^ 


l&^^ETz 


As        I,        pen  -    sive,  full      of    care. 

Which    a    -    doms      my  spot  -  less  maid. 

But      her    charms,    if       I    should  say, 

4— 


EfeEEjl 


Gathered      two    sweet 

In   -   no   -   cen    -  ce's 

You'd  be        jeal  -  ous, 

INI  N 


If 


3^£ 


*i     «i    1^ 


mf 


-£  •  P-0- 


^^E 


^ 


*=? 


i 


flow  -  ers. 
em  •  blem. 
ro    -  ses. 


m 


s^ 


1 \r 

Tell  me, 

Tell  me. 

Tell  me, 
mf 

— V-^ — 0- 


ro 
ro 


ses, 
ses, 
ses. 


etc, 
etc. 


ly    tell,       If       my  fair    one      loves      me   well. 


■^ 


"^ 


i 


26 


MICHAEL  ROY. 


^ 


Allegretto,  mf 


5^- 


>     N 


^— »*•,- 


1.  In  Brook -lyn  ci  -  ty  there  lived  a  maid,  And  she  was  known  to 
•2.  She  fell  in  love  with  a  char  -  coal  man,  Me  -  Clos  -  key  was  his 
3!    Jlc  -  Clos  -  key  shout-ed  and    hol-lered    in   vain,    For  the  donk  -  ey  would  -  n't 


-• — « 


Her 

His 

And  he 


-S- 


^ 


=^ 


-^- 


-JV— fV— N- 


-• — •- 


^     ^     f> 


^— &. 


'^     ■^     U- 


-ii^ii 


a~y~r 


5=t^ 


atzi 


S= 


-^-^ 


-A— IS — pv— n- 


^t=i- 


moth-er's  name  was   Ma  -  ri  Ann,     And      hers   was   Ma  -   rl 

fiwht-ing  wei<iht  was  seven  stone  ten  And  he  loved  sweet  Ma  -    ri 

threwMa-ri  Jane  right    o  •  ver  his  head,  Right     in  -  to  a    pol   i  -  cy 

N 


Jane;  And  ev-e-ry  Sat- ur- day 
Jane ;  He  took  her  to  ride  in  his 
shop  ;    When    Mc  -  Clos-  key  saw  that 


^^^ 


^^S 


1^ 


:^=*: 


^i==^ 


%^^-^ 


i 


& 


-**— ^ 


£^ 


mom     -     ing  She      used  to      go      0  ■  ver    the     riv  -  er,       And  went        to    market  where 

char    ■     coal  cart    On  a    fine     St.  Pat    -    rick's    day.  But    the  don-key  took  fright  at     a 

ter  -  ri  -  ble  sight ;   His     heart  it    was      moved  with    pi-ty,       So       he  stabbed  the    donkey  with  a 

N ^ — , i^ IV fs N 


^=Ei 


^s- 


-^ 


^^ 


^: 


m 


^^^ 


ti= 


t: 


-^j— r 


^  Chorus,  f 


Tl-* 


=t 


m 


she  sold  eggs. And  sass-a-ges,  like-wise   liv  -  er. 
Jersey  man.  And  started  and  ran  a        -       way. 

bit  of  charcoal,  And  started  tor  Salt  Lake  ci  -  ty. 


For     oh  !  .  .      For    oh  ! 


he    was  my  dar-ling 


^=^^ 


Shouted. 


i=t 


^^hhi^^m 


Repeat  chorus  pp 

I 


$ 


FOR  he  was  the    lad  with  the    au  -burn  hair.And  his  name  was  Mi  -  chael    Roy. 

N- 


ii 


^ 


=t 


-x-s- 


i 


^!L±j^Ej.  I  I  I z=±iz 

•        -«  -w^  ■•-  ■•- 


Ed=^=± 


^ 


THE   MERMAID. 


27 


Moderato.  mf 


^  1.       'Twas  Fri  -  ilay  niorii  when  wc-   set   sail, And  we  were  not  far  from  tlie  land,     When  the  cap  -  tain  spied  a 
2.  Then  out  spake  the  captain  of  our  gallant  ,ship,Anda  well  spoken  man  was  he  :  "  1  have  married  me  a  wife 


s 


'^~f^-m — • 


^=3H^l^^^^^jE^fe^^l 


* — •- 


-■=^ 


mf  '        I 


^^S 


=t==4: 


r 


^^^i^^^ 


^^^^ 


Chorus.  / 


i^=i 


lovely  mermaid.  With     a    comb  and     a  glass  in     her  hand.  Oh !    the    o    -    cean  waves  may 

in  Salem  town.  And     to  -  night  she      a  wid  -  der   will    be." 


-^^ 


f=^=tI=,_-4=S: 


^^^^^^ 


?^^--r-t=r 


1, 


1^= 


^^t^ 


^ 


"-^ 


r 


^s^^m 


f^zrrM 


=P=P= 


ipzzt 


'^=^--^ 


V     V 


^~-v~ 


roll, 


And  the  storm  -  y  winds  may  blow,  While  we  poor  sail  -  ors  go  skipping  to  the  tops, And  the 


IMh^ 


land     lub-bers  lie    down    be  -  low,  be-low,  be-low,  And  the  land    lub-bers  lie    down  be  -  low. 

5! 


t 


m^ 


^^F^ 


:t 


-e)r-r- 


:^r 


i 


I3i 


:t=s: 


i 


3  Then  out  spake  tbe  cook  of  our  gallant  ship. 

And  a  fat  old  cookie  was  he  : 
"  I  care  much  more  for  my  pottles  and  my  kets, 
Than  I  do  for  the  depths  of  the  sea." —  Cho. 

4  Then  out  spake  the  boy  of  our  gallant  ship. 

And  a  well  spoken  laddie  was  he  : 
"  I've  a  father  and  a  mother  in  Boston  city, 
But  to-night  they  childless  will  be." — Cho. 


5  "Oh  !  the  moon  shines  bright,  and  the  stars  give  light ; 

Oh !  my  mammy'U  be  looking  for  me  : 
She  may  look,  she  may  weep,  slie  may  look  to  the  deep 
She  may  look  to  tbe  bottom  of  the  sea." — Cho. 

6  Then  three  times  around  went  our  gallant  ship, 

And  three  times  around  went  she ; 
Then  three  times  around  went  our  gallant  ship, 
And  she  sank  to  tbe  depths  of  the  sea. — Cho. 


28       'WAY  UP  ON  THE  MOUNTAIN-TOP-TIP-TOP. 


Moderato.     mf 

Solo. 


iN-'*- 


li-te 


fczfe- 


i"^rt 


:S3t 


--^-- 


Z3(±*. 


^ 


1.    Hark  !  I  hear       a  voice,'way    up    on     the  mountain  -  top  -  tip  -  top,    De-scend-ing  down     below,      De 
Piano. 


t 


mf 


^1= 


^ 


~=ir 


^ 


fszzfczfemS 


:^= 


r*:=L-T:i 


Chorus. 

Solo. 


^i 


:^= 


mm 


p 


^3^E?E^ 


scend-ing  down  below. 


ntzt 


-scending  down  be-low.  Let  us 


all 


Chorus. 


u-nite     in    love. 


Trusting 


^1 


-^ 


-g-g-j^- 


^ — i 


unite  in  love. 


Let  us  all 


&^^ 


WW 


&  1/     J' 


d^     "- 


-N — ^- 


i 


'V    2. 


-*^*- 


the  powers  a  -  bove, 

rr. 


Let      us 


-bove, 


i 


^^=^ 


^^ 


E3^SEiE£ 


^ 


1^  -^- 

Trust-ing    in 


the  powers  a-bove, 


a 


=t 


the  powers  a  -  bove. 

— & P>. & — d— 


I 


accel. 


^      ritard.        ^ 


^jiB^^EafE^Fg^N^epETE^^EF^^^N^a 


Mer  -ri  -  ly  now  we  roll.roll,  roll,  roll,  roll,  roll,     Mcrri-ly  now  we  roll,  roll,   o  -  ver  the  deep  blue     sea. 


m 


Mer -ri  -  ly  now  we  roll,roU  roll,  roll,  roll,  roll,     Merri-ly  now  we  roll,  roll,   o  -  ver  the  deep  blue    sea. 


i#rrtf^^^N^ 


=?=t 


^^^1 


2 
Little  Jaiky  Horner, 
A-sitting  in  a  ciirner, 

I'.atiiig  a  Christmas  pie  ; 
He  stuck  in  his  thnnOi, 
And  pulled  out  a  pUmi, 
And  said,  "What  a  big  boy  am  I !" 
Clio.     Lot  us  all,  ele. 

I'opyrlKliI,  IHSl,  liy  Wm.  II.  lllLLS 


3 

Old  Motlicr  Hubbard, 
She  went  to  tlii'  cupboard, 

To  get  liiT  poor  dog  a  bone; 
But  when  shu  got  Ihcro, 
Tile  cupboard  was  b.'ire, 

And  so  the  poor  doggy  had  no 
Cho.     Let  us  all,  etc. 


MY   BONNIE. 


29 


Piano. 


i 


Andante. 


3; 


i^ 


i^3i 


'^/ 


5^WP 


^fc 


qi=:)i= 


^=^ 


-•-  -#-  -#- 


Eg^S^ 


5^  ^  hP^  ^- 


in 


Dolce. 


-=-•- 


?^ 


It 


'  1.     My      Bon-nie  is       o  -  ver       tlie     o    -    eeaii, 
2.    Oil!  blow, ye  winds, 0  -  ver      the     o    -    cean, 


My    Bon-nie  is      o  -  ver     the      sea;  ....  My 

And  blow.ye  winds,o  -  ver     the       sea ;  .  .  .  .  Oh ! 


mf        ^-   -*■  -t-    -*-  -^  -^  -r    -9-  -*--*-  -#--*-    ^.,.3! __-^ 


^m 


i 


i 


=1: 


^. 


i 


1 


i^^ 


SE* 


Bon-nie   is       o  -  ver     the      o    -    cean,  .  .  . 
blow,  ye  winds, o  -  ver    the      o    -    ecan,  .  .  . 


Oh !  bring  back  my  Bon-nie      to       me. 
And  bring  back  my  Bon-nie      to      me. 


V  -s 


m 


1 


f 


■^- 


^- 


^ 


Chorus. 

AIR. 


i 


-^n 


^ 


^•./" 


^E^E^^ 


^D.a 


i 


s 


t-' 


n^ 


-4-« 


X 


Bring  back,bringback,Bring  back  my  Bonnie  to  me,to   me, Bring  back, bring  back,Oh!bring  back  my  Bonnie  to  me. 


a)  FIR.'^T  texoe. 


P^gi 


9 


J. 


3 


ffrf-fzifagrgM^ 


n 


m 


=F=Pr 


'—»—»-  -t9- 


rr-rr-^t 


^2Z — ^ 


itzzt 


-f 0- 


T 


I 


9   w   r 


r 


FIRST  BASS. 

Bring back,bringback,Bring  backmyBonnie  to  rae,to  me,Bringback,bring  back,Oh!bring  back  my  Bonnie  to  me. 
/J  REcnxD  HASf?.  crw.     .     .     .  _      p  — ^  •■T  f 


ii 


=1=^ 


■Smt 


3^ 


:^ 


di 


il 


POf'- 


Last  night  as  I  lay  on  my  pillow, 
Last  night  as  I  lay  on  my  bed, 

Last  night  as  I  lay  on  my  pillow, 
I  dreamed  that  my  Bonnie  was  dead. 
Cho.     Bring  back,  etc. 


The  winds  have  blown  over  the  ocean. 
The  winds  have  blown  over  the  sea, 

The  winds  have  blown  over  the  ocean. 
And  brought  back  my  Bonnie  to  me. 
Cno.     Bring  back,  etc. 


Copyriclit,  ISSl.by  Wm.  H.  Hills. 


30 


MA-RI  HAD  A  LITTLE  LAMB. 


f  Allegro  confuoco. 


¥M 


^ 


^    ^- 


\ — N-r 


i  Oh! 
■(And 


Ma  -  ri  had     a      lit  -  tie  lamb,    Lit  -  tie  lamb,      lit  -  tie    lamb.      Ma  -  ri  had     a        lit  -  tie  lamb,  It's 
ev  - 'ry-wherethatMa-ri   went,    Ma-ri    went,      Ma-ri      went,      Ev-'ry-w here  that  Ma- ri    went, That 
followed  her     to  school  one  day,  School  one  day,  school  one  da}-,It   followed  her     to  school  one  day.Which 
made  the  children  laugh  and  play,Laugh  and  play,  laugh  and  play,It  made  the  children  laugh  and  pl'a  v.  To 

^  ^    ^    I  ^ 

!  i^  K         1  !  !  ^         !<         I  k  K         ^      ^         ',  K  IV         K         1^  ^         Ik 


it 


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=ii=S= 


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1. 


1    2. 


Unison. 


m 


Bleatiai/. 

■HN — N — s — ri—A- 


iszis;:^! 


^ 


:?^-J\— a:::? 


-a^^g- 


i7 


fleece 
[omit] 
was 

fo»i;Vl 


was  white 
a  -  gainst 


as  snow, 
the  rule. 


[o»i?q 

lamb  was  sure    to  go. 

[o»n7]     

see    a    Iamb  at  school. 


Bleating  of    the  lamb, 
Bleating  of    the  lamb, 


Ba-a  ■  a  -ah!  Ba- 


^     /     k/ 
a  -  a  -  ah ! 


Ba  -  a  -  a  -  ah !  Ba  -  a  -  a  -  ah ! 


1 


m 


mz 


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i 


p 


m 


{     5     '' 

Oh !    ain't     I 


glad 


h 


to      get       out      the        wil  -  der  -  ness,      Get       out    the        wil  -  der  -  ness, 

..  ^  ..  ..  >.  3.  V 


P^HM^-f 


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P 


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m 


-• — ^ — •- 


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get      out    the     wil-der-ness.  Ain't      I      glad      to     get      out    the      wil-der-ness,  Lean-ing 


m 


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■5*- 

the  lamb. 

-- N, 


I 


-• m • • • — » — ■-»• 


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-A — K C 

-A — « •- 


m 


Rip!    slap!      set  'em    up      a  -  gain,Witli    a      bum,  jing,jing.  With     a      bum,  jing,  jing ;      Kiji 

>        >         ^     ^     ^     ^ 


slap! 


> 


^^^^^PP^if^fPPPP 


■t^-' 


set   em     up 

^     ^ 


a  -  gain,With 


I  bum,jing,jing,    heigh -o! 


With    a  bum,jing,jing,AVith  a    1ium,jing,jing, 


Coiiyilsht,  ISSI.liy  Wm.  II.  Hills. 


MA-RI  HAD  A  LITTLE  LAMB.    Concluded. 


ol 


ti 1 1 e — I 1 1 1 « ' — i-e 1- h- 


Grass-liop-per     a  -  whist  -  li  -  ing,  "  God      save    the      Ki  -  i   -  ing,"  Li  -  to  -  ri  -  a,     Li  -  to  •  ri  -  a, 


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ggiEBg^5=^^i^^^^g^a^J^b..=^i 


Swee-  de  -le  -  we  -  tchu  -  hi  -  ra  -  sa,      Li  -  to 


sc 


N— ^— fs N- 


^S— K 


b    1/     1/  I 

ri  -  a,      Li  -  to  •  ri  -  a,     Swee  -  de-  le  -  we-dum-bum. 


^— S- 


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y-v'^ 


V     V 


accel.       f 


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Whoop !  de  -  du    -  dah,     du  -  di  ■    u  -    di  -  u  -  dah,     du  -  di  -  u  -   di  -   u  -  dah,    du  -  di  -    u  -  di  -    u  -  dah, 


i 


^' — f^ — ^-^^ — $> — S' — ^ — f^ ^-^-^ 


^^■■ 


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i 


Whoof!!     de    -    du    -   dah,        du  -  di  -  u  -  di  -    u  -   dali,       du  -    di 

-A & — t ^ — r-^ — & — ^ — &1 — ^ — ^— ^-^ — ^- 


^^^Ei^m^^m 


u    -    di    -     u    -  dah,    WHOOP!!! 
— *. N N N. 


H- 


I 


THE  DUKE  OF  YORK.   March. 


m 


f 


[May  be  sung  as  a  two-part  round  by  shouting  in  the  words  "And,"  and  "Oh!  the."] 


^ 


^ 


J 


— * — 

The 


no    -     -    ble        Duke  of         York,  He        had  ten        thous    -    and 

wlien  tliey     were    up,  they    were    up,        up,    up !      And  wlien    tlicy  were  down,  tliey  were 


m 


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^fii 


B.C.  ad  iiifin. 


m 


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men,  He     marched  them  up      a      hill    one      day.    Then  marched  them  down  a-gain !  AND 

down,down,down  !And  when  they  were  on  -  ly   half-way     up,They  were  neith-cr      up       nor  down  !()H  !  THE 


-»-F. 


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Copyriuht,  1891,  by  W'm.  II.  lllLLS. 


3-2 


Allegro,  rnf 


JINGLE,   BELLS. 


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ii 


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^ — ^ 


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:a=#= 


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tj 


1.  Dashing  thro'  the  snow, 

2.  A  day  or  two    a  -   go 

3.  Now  the  ground  is  wliite ; 


In    a    one-horse  o  -  pen  sleigli ;  O'er  the  fields  we    go, 
I     thouglit  I'd  take  a    ride.           And  soon  Miss  Fan-nie  Bright        Was 
Go     it  wliile  you're  young;         Take  the  girls   to-night.        And 


m 


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mf 


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1^^ 


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1     1 


Laughing   all     the      way;  Bells  on     bob-tail    ring 

seat  -  ed    by    my      side.  The  horse  was  lean  and  lank  ; 

sing  this  sleigli-ing    song.  Just  get     a    bob-tail'd  bay, 


-^ — v- 

Mak-ing  spir  -  its  bright ;  Wliat 

Mis-fort -uneseem'd  his  lot;  He 

Two-for  -  ty    for   his   speed  ;  Then 


i;r 


=5=8= 


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^   g 


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fe=r 


Chorus.*/ 


S 


S 


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^E|E 


:t=t= 


t 


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fun    it       is      to    ride  and  sing    A  sleigh-ing  song  to- night! 
got    in  -  to      a    drift- ed  bank.Andwe,    we    got   up-  sot. 
hitch  him   to      an     o-pensleigh,And  crack!  you'll  take  the  lead. 


Jin  -  gle,  bells !    jin  -  gle,  bells ! 


I 


te^ 


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-V — >"- 


Jin  -  gle    all    the  way  ! 


Oh!  what  fun    it    is      to    ride    In    a   one-horse  o  -  pen     sleigh ! 


l^ii 


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V— / 


12=1: 


Jin-gle,bells!  jin-gle,bells !  Jin-gle  all  the  way !  Oh !  what  fun  it  is    to  ride  In    a  one-horse  open  sleigh ! 


^e 


1^1 


f 


•A^fOmpftnlM  by  Jingling  glnMcn. 


Copyright,  IB57,  by  0.  Ditaok  A  Co.    By  penuisBlon. 


Words  by  C.  W.  Bradley. 


THE  POCO'S  DAUGHTER. 


^m^i 


33 

Melody  by  J.  D.  Ueddino.' 


f 


^-  ^-  -^.  .^.         .^. 

1.  A      po  -  CO  lived  oiiBriglitonStrc'ct.To  get  lum bread  and  beef  to  eatllc  would  tlie  verdant  stuilents  ciieat.Down 

2.  Now    to     tills    po-co's    shop  one  day     A  Sopli-oiiiore  did  wend  his  wayTo  sell  his  coat.tliat  he  might  pay  Ilig 

3.  The  maid  con  -  sent  -  ed,  when  she  saw  The  po  -co  sleeping  on  the  floor;But  all  too  soon  lier  bliss  was  o'er.Kor 


ritard. 


^. 


a  tempo. 


^-=^- 


i=^^^=r 


zts=^ 


Pifei^ 


g=ti=fc 


by  CliarlesRiver's  wa  -  ter.  To  keep  his  home- stead  clean  and  neat  He  bad  a  maiden  rare  and  sweet, She'd 
board-bill  for  the  quarter.  But  when  he  saw  the  maiden  gay,  Said  he,"I  love  thee,charniingfay!Then 
oh!    he  woke.and  caught  her.    Kis  hair  stood  up    at  the   sight  he  saw,  For  just  behind  the  kitchen  doorTliere 


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Chorus.,,//     > 


:s=S=:p=i(=iif: 


S^^^e^ 


big  black  eyes  and  little   white  feet,  Kat-ri  -  na,  the  po-co's  daughter.       0     Po-co,  Po-co!  keep  thine  eyeOn  the 
skip  in -to    my     arms,       I       pray,Thou  love-ly        po-co's  daughter."     ()      Poco,   Po-co!  etc. 
stood  that  wicked   Soph  -  o  -    Tnore,    A-  kiss-ing    of    his  daughter.       0      Po-co,  Po-co!  etc. 


Ijl 


^ 


^ 


IcrpE 


s 


dark-haired  girl,  for    she    is      sly,  Or  you'll  be    sor-ry        by  and    by,  you    ev  •  er  had    a      daughter. 

I 


^.=* 


'-X 


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IS 


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i 


i  For  very  wrath  his  nose  grew  blue, 
He  did  not  know  what  he  did  do. 
But  straightway  seized  the  wicked  two, 

The  Sophy  and  his  daughter. 
He  sewed  tliem  up  in  meal-bags  two, 
AVhich  to  the  river's  bank  he  drew. 
And  then  the  naughty  pair  he  threw. 

Into  Charles  River's  water. 

Cho.  —  0  Poco  bold !  thou  did'st  anni- 

Hilate  tlie  maid,  and  she  did  die ; 
And  you  were  sorry,  by  and  by, 
You  ever  had  a  daughter. 

Copyright-  1891,  by  Wm. 


^—i 


:5*= 


^ 


5  Long  rears  have  fled,  but  still  at  night, 
O'er  Brigliton  Street  a  ghost  in  white, 
An  airy  Sophomnric  sprite, 

Doth  seek  his  Pocorina. 
And  when,  alone,  at  dead  of  niglit. 
You  come  from  Carl's,  a  little  tight. 
You'll  see  him  in  the  pale  moon-light, 

A-kissing  of  Katrina. 

Cho.  —  O  Poco  bold!  thou  did'st  annl- 

Hilate  the  maid,  ami  she  did  die; 
But  still  o'er  Harvard  Square  doth  fly 
The  spirit  of  Katrina. 

H.  Hills. 


34 


Con  anima.  mf 

Solo. 


THE  ANNEX  MAID. 

Choevs.  jJ 


1S^ 


m 


o.mf 


^ 


& 


1.  "Wliere  aie  you    go-ing, 

2.  "What  to      do      there, 


my    pret-ty  maid?"  Heave         a 
my    pret-ty  maid  ? "  Heave         a 


> 

way! 
way ! 


Heigh  -  ho ! 
Heigli  -  ho ! 


Heigh- 
Heigh 


ho !    "I'm 
ho !     "I'm 


i 


-^-^ 


-•— *- 


^^ 


^SA 


-y^—^ 


-»^*^ 


go-ing     to  the  An    -    nex,   sir," 
go-ing     to  be  cul    -  tured,   sir," 


she    said,      "And  I  come     from  the  Ri-o       Gran 
slie    said,      "And  I  come     from  the  Ri-o       Gran 


m. 


de," 
de," 


t^j^^-'^w-mw 


Chorus,  ff 


1 


go-mg 
go-ing 


to  the  An  -  nex,   sir," 
to  be  cul-  tared,  sir,' 


she    said,    "And  I    come  from    the      Ri    -    o        Gran    -    de." 
slie    said,    "And   I    come  from    the      Ri  -    o        Gran    •    de." 


^^f^^. 


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3 

"What  are  your  studies,  my  pretty  maid  ?" 
Heave  away!  Heigho!  Heigho  ! 

"Chinese  and  Quaternions,  sir,"  slie  said, 
"And  I  come  from  the  Rio  Grande." 
Giro.  —  Heave  away!  etc. 


"Tlien  wlio  will  marry  you,  my  pretty  maid  ?" 

Heave  away!  Ileiglio  !  Heigho! 
"Cultured  girls  don't  marry,  sir,"  she  said, 

"And  I  come  from  the  Rio  Grande." 
Clio.  —  Heave  away !  etc. 


Copyright,  1891,  by  Wm.  11,  Hills. 


FRA  DIAYOLO. 


Moderato.     mf 


a=* 


^. 


^m 


85 

m 


1.  The     fes-tal  (lay    lias  come,  Ami  l)n'f;litly  beams    the  morning  ;    Tlie  sim  peeps  forth  afresh,  Our 

2.  Come,join    in  mirth  and  song,         With  young  liearts  fondly     beat-ing     Sip     pleasure  while  we  may.         For 


M 


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Chorus.     Unison. 


aEa^EaEEESEgp^g^S^^a^^f^glfZI^te^ 


festal  (lay     adorn  -  ing,    Ilurrali!     Hurrah!     The  festal  day  has  comelHurrah  !  Hurrah  !  The  festal  day  lias  come, 
earthly  joys  are  fleeting, 


Allegro  vivace,  f 


"^^^^M^m 


P 


=t*: 


*Upsee,upsce,tra-la  -  la  -  la,  Upsee,upsee,tra-Ia  -  la  -  la,       Upsee,upsee,tra-la  -  la  -  la,The  festal  day  has  corac.I 


hear  the  boots,tIie  boots,the  boots,the  b-b-b-b-b-b-boots,FraDia-vo-lo,the  Rob-ber !       FraDi  -  a  -  vo-lo,tlie  Robber  !       I 


3  5     -•-  •  ^* 


hear  the  boots,tlie  boots,the  boots  tlie  b-bb-b-b-b-boots,FraDi  -  a  -   vo- lo,    the  Rob-  her.   Coming  (Jown  the  stairs. 


I 


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E^^ 


:f=i= 


^^^^^^ 


CopjTight,  18St,l)y  Wm.  II.  Hills. 


36 


BEAUTIFUL  BALLAD  OF  WASKA  WEE, 


Melody  by  J.  D.  Kedding. 
Con  moto.     mf 


-^V-\- 


Words  from  Scriener's  Mokthlt. 

-N— >r-rH N— ^ 


-P 


■A- 


-+- 


PP 


--^=±^hl 


-^ ^        '^ 


■*—*- 


Her  voice 
This  Turk 
Xow  sim   - 
Then  tliislior- 
Now  tlie  Mi  - 


was 
■  ish 

pie 
rid, 
ka 


sweet 

man 

Was 

sly 
do 


as  a  ban  -  go  -  lin ; 
a  tur  -  ban  liad, 
ka  Sing  -  ty  Wee, 
old    Turk  -  isli     man 

was     won  -  drous  wise. 


Her  mouth  was 
This   Turk-ish 
So     good      to 
Be  -  clared  he'd 
He    opened  his 


small 
man 
hear, 
die 
moutli. 


as  the  head 

was      sly 

so      sweet 

on  the     Eng 

and        slmt 


of   a 

and 

to 

■  lish 
his 


pin ;    Her 
bad;    He 
see,    Re   - 
plan,  "And 
eyes :  "The 


eyes 
whis  • 
solved 

so," 

wid 


ran 
pered 
be- 
said 
ow's 


•- 
up,       her       chin       ran   down;  Oh,    she  was  the  belle  of      Yeddo    town.  Now    lovely  Was-ka 
un  -  to  Miss  Was  -  ka     Wee:    "O     fly     with  me    to  my  own  Turk- ee!        O     fly  with  me  to  my 
hind      her      bash  -  ful      fan      To  be  eiglitieth  wife  to  thisTurkishman  ;     But  tlio' lier  heart  was 
he, "my  bright-wingedbird,Thou'lt  have  for  tliy  fortune  the  wid -ow's  third  "Then  flew  the  maid  to  the 
third,   0    daughter,  will      be      What-ev  -  er  the  law  will al-low   to   thee."Then  flew  the  maid  to  the 


^ 


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-N-!V 


#— *• 


-N-N 


^»=i   P      fff 


It 


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Sing  -  ty      Wee,     So 
own    Turk-ee!     And 

full       of      glee.  She 
Mi   -   ka   -   do,      And 
Court   of 


good  to  hear,  and  sweet      to 

robes  of  gold      I'll    give      to 

hung  her  head     and     said      to 

told    the  plan  of  her  Turk-isli 


see,     The    fair -est  maid   in       all    Jap -an.  Fell 
thee —  A     gir-dle  of  pearls  and      love  for    life,    If 
he:     "If  thoushould'st  dle,my  Turk-ish  beau.  Oh, 
beau," And  now,"saidslie,"the  whole  thou'st  heard.How 


i— «|- 


Lords,  Where  every  man  wore  a  brace  of  swords,  And  bade  them  name  what  sum  would  be  hers  When  her 


^^^^^^M 


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dead  in    love     with  a    Turkish    man.  The  fair-est  maid 

thou  wilt    be         my       eightieth  wife."  "A  girdle,  etc. 

where  would  poorWaska      Singly     go?"     "If  thou,  etc. 

mucli  willit  be,     this      widow's  third '""And  now,"  etc. 

Turk  should  go     to  liia    fore-fa  -  thers.    And  bade,  etc. 


in 


all    Jap  •  an.    Fell      dead  in  love  with  a 


3 


§ 


3= 


Copyrlahl,  1881,  by  Wm.  H.  Hiils. 


BEAUTIFUL  BALLAD  OF  WASKA  WEE.   Concluded.  3" 


t=t: 


^ 


^^^-"* 1 ■ — F=* 


m^^ 


f 


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gpa 


Turkish    man.    The       fair  -  est    maid      in 

J. 


Jap  -  an,    Fell    dead    in  love  with  a  Turkish  man. 


6  They  sat  in  council  from  dawn  till  night, 
And  sat  again  till  niorninj,'  liH:ht, — 
Figured,  and  counted,  :aul  weighed,  to  see 
What  an  eightieth  widow's  tliird  would  be. 


And  the  end  of  it  all,  as  you  well  might  know, 
Was  nought  but  grief  to  the  Turkish  beau; 
For  lovely  Waska  Singly  Wee 
Said  :  "Go  back  alone  to  your  old  Turkee  '■" 


Ziemlich  langsam  mid  zart. 

,  FIRST  TEJsOR.   ™/ 


mm 


THE  YOUNG  LOVER. 


PP 


Tnos.  KoscHAT,  Op.  21. 
mf    a 


w^^^^^^ 


■    SECOND  TEXOR. 

1.  Dear -est    love,    be  coy, Shun  each   woo-ingboy 

[ls«  Bnss.] 

2.  I  have  known  thee,dear,Now  full  many   a  year ! 

[ls<  Cus.s.] 

^ 


Et±: 


f=^ 


FIRST  BASS. 


4^ 


SECOND  p.iSS. 

tempo. 


f  ■    f   I* — f» — p- 


For  the  boys  ....  are  .  .  .  wild! 
For  the  boys,youknow,  are  vc  -  ry  wild! 
In  the  fields  ....  we  played 
In  the  fields  together  oft  we  played 
poco  rit. 


But       a 
'iMid    the 


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^Sfz 


^ 


^         ]/         •^         1/       u  ^ 

lone      to     me  Mayst    thou     friend-ly     be.  When     I      come      to     woo     thee,  dar  -  ling   child!      For      I 
heath  -  er  sweet, Where  the  lambs  would  eat.  Have     I    roamed  with  thee,      a        lit    -  tie    maid.      Now  that 

IS       ^       ^     ^  .  ff    '^ 

g^     g  --4" — " ' " — ■-"---- — ' ^— cri^^- 


^^^'^^^l        ^^^^^  _        ff    ^ 

K N 1- m r-* J-^ — d P P — ts-^ ^ 1 P • 1  m  . a r~ 

tempo.  -==z  ^.j^_     I' 


z. 


p 


PP        poco  rit. 


love     thee    so ! 


As 


-^— ^ 


all 


N    P 


ht 


^ 


^         1/         U     i/       1/       i^       1/ 

one    else,      I  know!  Thv  love-ly 

[ls(  iJ<;,ss.l       Thy  love-ly 

tie     maid     no  more  Thou  art   tlie 

\\%t  Bass.\     Thou  art    the 

mf 

^  -•-     •       - 

1 F •— 


Ef^^ 


-^ — t — I 1 n 

im  -  age  stays  with      me.        Came      a 

im  -  age  everstays  with  me. 

loveliest  girl       in       town!     Though  thy 

loveliest  girl  in  all  the  town  I 


-^EE^ 


=5=f 


fe^ 


PP 


poco  rit.^ 


^     a  tempo,    p 


rit. 


f 


rit.  molto. 


//' 


-f-r 


yt, — h W k/ U "-h '', — 1^ >« »' ^ —    ^ ^ ^~ 


— if 1*" 

heart  can 


H 


1^       i/    u 

dan  -  ger  nigh.For  thee  I'd       glad  -  ly   die  !  God  knows  it     well,   who    in  my      heart  can      see. 

moth-ersigh.Though  all  the  world     deny.    My  heart   will  break,   if   thou  art     not     mme   own! 

'\  a  tempo.      ^       .                          rit.  —===              \               /  tsrit.  molto. 


C  p 

"  Copyrlglit.  IRSi.l.y  \Vm.  II.  Hills. 


an 


-^ 


E3E 


i 


38 


MY   SUSANNA. 


Moderato.    mf 


m^^. 


w^ 


*-7- 


g=3=fe=l=-^ 


IjZ^pZ 


1.  r       bad      a    dream  the     oth  -  er      night, When  eve  -  ry  thing  was  still, 

2.  Su  -    san  -  na,    she's    the    girl     for      Die,      I    love      her  as     my    life ; 


^^- 


dream 't  I     saw   Su 
asked  her    on  -  ly 


-•-; 0 — ^•■ 


^    'm    «- 


mf 


Ir^S- 


^ 


P^^- 


g=.N=^ 


^f=n 


i 


^-=^- 


-*■>—•- 


-¥-K 


Ttzrt 


-t 


t) 


(^ 


san-  na    dear    A  -  coming  down  the  hill ;        A  buckwheat  cake  was  in    her  niouth.A    tear  was   in     her 
ves-ter-day    If    she  would  be  my  wife;      She    said  she   lov  -  ed    another    man,  She  did -n't  know  his 


mm 


-i — f^m — • • — « — c^ 


<EB=F^EE 


m 


^=^ 


-*■ 


IHttI,- 


«-^— •— • 


I 


4 — ^■ 


iii— ^ 


m^M 


-*-f= 


-!• 1* P- 


•3-= 


i 


§HF=t 


^-fV-N- 


i 


-^ N— N 


i • • ■•- 


^- 


^ 


H — -i- -0-4-0 i 1 1 1- 


TtZZt 


eye ;        She's  the  prettiest  lit-tle        yal-ler    gal,    north     or    south,     I        ev-er        did     es  -  py. 
name ;         Yet     though         I  know    there      is        no     hope,     I      love  her     just   the  same. 


pi=i^S^E3 


^ 


m 


-*-F- 


M ■ 1 I L_ 


^±J2Z 


-f- 


Basses,     od  lib 


ff 


jzfr=r=^=j: 


^ 


don't  want    to !    Come.and  kiss  me !  Ma  won't  let    me!  Oh !  come,  and  kiss  me, 


g^^^=^i^ii^S^^ 


// 


i 


?=:3 


*     *- 


m 


0         0         IL. 


0       W- 


P 


s^^^^m 


f 


:a=:s 


^■>-tr- 


Su  -  83',    the    ap  -  pie    of    my    eye !  Tra,    la,    la,    la,    la,  la,    la,    Tra,     la,     la,    la.    She's  the 


^ 


m=i- 


f 


^^sc: 


P 


i 


-t 


Copyrlghl.  H«l.  l>y  \Vn.  II.  II11.1.S. 


MY  SUSANNA.    Concluded. 


39 


7^-^ — zi-zi-d *- 


^m 


^m 


:fc=J=»= 


^^i=i=i-- 


-A— 


1 


''  prettiest    lit  -  tie    yal-ler      gal,        north        or       south,       I 


ev  -  cr  did 


-^^^m^^m=r^^^ 


i>y- 


1 


^^m^ 


3 


i 


I 


±=X--- 


t 


DRINKING  SONG. 


Con  spirito.  ff 


^ 


^-=^ 
Pf^ 


=J^=J. 


Words  and  Music  by  F.  R.  Bubton. 
Heed less  of 


SI 


1.     Fill         once  again    to  -  geth  -  er  IDrain  every  flow-ing    cup!        Heed-less  of  time  o^  \\-cnth  -  er. 


w 


m 


^¥=*- 


BASSES. 


■r- 


weath 


time Heedless  of  time    or 


1- r — F 

Heed less  of 

cr,        Heedless  of    eve  -  ry       thought. 


±=gi 


^^^ 


N  ;j  ^ 


3^ 


ztt^^ 


:fat 


«* 


^ 


?=Ef=^ 


I  time    .     .     .  or  .     .     .    weather  I  ^^^^ 
\  Heedless  of  eve  -  ry      thought.  J 


less 


J- 


of 


I  eve 
time. 


ry 


.    thought. 


1 


-U= 


^- 


:fe=l 


time 
Heed 

J- 


?^ 


r 


or  .    .     .    weath  -    -  er,  .    .     .    Heed  -  less  o?       eve     -    -     ry     .    .    .  thought. 
less       of        time, Heedless  of  time     or  wcatli     -     er. 


^1 


-it—v- 


■^ 


'^^^M 


■£-^Uft-^ 


-f2_ 


E^ 


^ 


r 


m 


m 


Heedless  of  time  or      weather,        Heedless  of  every      thought ; 


Heed less 


of 


f=^=^'^^ 


-»* 


Heed 


less  of    time 


0 

or    weath 


f= 


.N   ^-! 


Jtfc 


-f— •- 


er, 


Heedless  of  time    or    weatli    -    er. 


1.  Heedless  of  every    thought. 

\      s    ^    K  /TV 


:3z£ 


^ 


2. Heedless  of  every    thought. 
fv       1^     1^  J^  I         Fine. 


m^ 


-t^— ; 


tfc 


(  eve    - 
i  [OmiV] 

^ 


t 


ry 


thought.       Wliy  [Omit.] 


?^^ 


iN^ 


^ 


* 


^^ 


^— ^-^i^eSeJ 


llsi 


ry 
-4- 


thought. 


sliould  the      dim     Here-af-ter  Swal 


E=N^ 


ffrf 


# 


rr' 


Heedless   of  eve  -  ry  thought. 


Heedless  of  eve  -  ry  thought. 

1^     I  ^ 


^ 


IB 


4- 


D.C.  alfine. 


low  the    Present 


up  ! 


Sto   -  ry,   and  song,aud      laugh  -  ter :  Else-where        can      jov     be  sought  ? 


^  '  '  l^ 


SS^»^= 


3?:: 


i 


/     y     1/     / 

Copyriglit,  Issl.by'n'M.  II.  HILLS. 


40 


MUSH,  MUSH. 


i 


Andante,  mf 


S 


J=J^hJ-J  ■  j^i^_^^^ 


^ 


^T=?= 


feto^ 


t^ 


1.  Oh/twas  there  I  lamed  ra -  din'  an'    wri-tin,'  AtBillyBrackett's  wherelwintto  school; 

me    we  had    mon-y      a  scrimmage,  An'      div-il       a    copy      I  wrote; 

2.  Oh.'twas  there  that  I  larned  all    me  court-in'  O'thelissons      I  tuck  in    the  art!.  . 

Con-nor,  she  lived  jist  for-ninst   me,  An'    tin-der  lines  to  her     I  wrote ; 


And  'twag 
There  was 
Till 
If  ye 


^ 


^^ 


SeS 


^ 


^=1= 


mf 


^^ 


^t*  ** 


1^ 


-P-p!- 


■•  r  r 


-p— p- 


-p— F- 


iEi 


i 


=!= 


fcfc 


7^i=i 


t— 

there      I    lamed  howlin'      and    figh  -  tin'  Wid    me  schoolmasther,    Mis  -  ter       0'    Toole,  Him  an' 

ne'er      a      gos-soon    in     the    Til  -  lage  Dared    thread   on    the    tail      o'      my — 

Cu  -  pid,   the  blackguard, while    sportin'  An             ar  -  row  dhrur  straight  through  me  heart.  Miss  Judy  0' 

dare    say     wan  Aard  word    a  -  gin    her,  I'U          thread  on     the     tail       o'      yer — 


=^=5= 

^1^ 


X 


W-. 


-*—-zA- 


-P--P 


wm 


3= 


CJ 


^— * 


m 


I 


J=nJ: 


•25*- 


-P-P- 


-f^-1!^ 


^- 


Chorus. 


I    2. 


t 


0  ^ 


W=i=S=^' 


za — *" 
Mush,mush,mush,    tu  -  ral  -  i  -  ad  -  dy !  Sing,mu8h,mush,mush,tu  -  ral  -  i    -   a !  .  .  . 


m 


There  was 
If    ye 


PS 


^=1= 


}-*T*^S^ 


:il-»f- 


**      ** 


^^ 


I 


^ 


r-T- 


r^~!^ 


S 


^ 


1 —  ^  

ne'er      a        gos  -  soon    in       the      vil  -  lage    Dared  thread  on      the      tail        o'      me        coat ! 
dare    say      wan  hard  word      a  -    gin    her,        I'll    'thread  on       the      tail        o'     yer       coat! 


XJ 


r-Tm=i 


^- 


iE? 


m 


^=^ 


"^^5 


-^J 


T-xi::^ 


^ 


^- 


3.    But  a  blackguard,  called  Micky  Maloney, 
Came  an'  sthole  her  afflctiong  away  ; 
Fur  he'd  money  an'  I  hadn't  ony 
So  I  sint  him  a  ohnllcnge  nixt  day. 
In  the  A.  M.  we  met  at  Killarncy, 
The  Shannon  we  crossed  in  a  boat; 
An'  I  lathered  him  wid  me  sliillaly. 
Fur  he  throd  on  the  tail  o'  me  —  Cho. 


Cgpyrlght,  1880,  by  Wm.  H.  Hills. 


Oh,  me  fame  wint  abroad  tlirough  the  nation, 
An'  folks  came  ii-flockin'  to  see ; 
An'  they  cried  out,  widout  hesitation  : 
"You're  a  fightin'  man,  Billy  McGce !" 
Oh,  I've  claned  out  the  Finnigan  faction, 
An'  I've  licked  all  the  Murphys  afloat ; 
If  you're  in  fur  a  row  or  a  raction, 
Jist  ye  tliread  on  the  tail  o'  my  —  Cho. 


THE   QUILTING   PARTY. 


41 


Andante. 


_i2 I 


^-^ 


-^— •- 


^ 


JtZt 


1.  In  the   sky       the  bright  stars    ght-tered, 

2.  On  my  arm        a  soft    hand     rest-ed, 


On  the  bank     the  pale  moon    slione ; 
Rest  -  ed  light     as    o  -    cean     foam ; 


And 'twas 
And  'twa; 


^^ 


^ 


wm 


m^^^^m^^m 


w 


J J- 


1^ 


^T^ 


^ 


^M 


^ 


IS 


^ 


dHr 


:p=i= 


-^^^ 


^^ 


-t^— u'— V- 


-t)i — u- 


from 
from 


AuntDi   -  nah's      quilting 
AuntDi   -  nah's      quilting 


par-ty,  I  was  see 
par-ty,  I  was  see 


ing  Nel-lie 
ing  Nel-lie 


home, 
home. 


Chorus,  nif 


^^P-J— J^^N^ 


SE 


^ 


:F=t 


I    was     see  -  ing      Nel  -  lie        home, 


I    was    see  -    ing  Nel  -  lie     home ;    And  'twas 


^ 


^ 


i^ 


-z^ 


^ 


=p 


^ 


-si- 


i 


^ 


i 


s 


1^- 


^ 


± 


t 


;ts 


from       Aunt    Di    -  nah's      quilt  -  ing 

^     1 


par  -  ty, 


was     see 


-^ 


X 


ing     Nel  -  he         home. 

^ 


i 


^^5 


m 


-k 


repeat  pp. 


mi 


ms: 


3Z 


^ 


On  my  lips  a  whisper  trembled, 

Trembled  till  it  dared  to  come ; 
And  'twas  from  Aunt  Dinah's  quilting  party, 

I  was  seeing  Nellie  home. 


On  my  Ufe  new  hopes  were  dawning, 
And  those  hopes  have  lived  and  grown ; 

And  'twas  from  Aunt  Dinah's  quilting  party, 
I  was  seeing  Nellie  home. 


42 


POLLy-WOLLY-DOODLE. 


Allegro,  solo. 


^m 


t 


:=i-^H-^^^^^ 


m 


-v-v 


V    ^'I'-'l 


1.  Oh,  I  went  down  South.f  or  to  see     my     Sal ;     Sing,  "Pol-ly  -wol-ly-  doo-dle"  all  the  day  !  My 

2.  Oh.my  Sal,  she    am      a  maid  -  en     fair;    Sing,  "Pol-ly -wol-ly- doo-dle"  all  the  day !  With 


^ 


:t=)= 


I       I       I 


T— P 


^ 


-W-     >-     -W- 


*    *    :t 


i:  i 


^ 


_p — .-_ 


Chorus./ 


„  Chobus.  s     N     n     N     .      .  unorus._ 


nT=f 


I    ^  """"""  I  "I     t'^      ...    . 

Sal  -  ly    am     a         spunk-y  gal,  Sing,"Polly-wol-ly-doo-dle"aU  the  day  !  Fare-well !     .     .     .         Fare  - 

ciir-ly   eyes    and  laugh-ing  hair,  SiDg,"Pol-ly-wol-ly-doodle"  all  the  day!  Bass.  Fare  thee  weu  I  Fare  thee  weu  I  Fare  Owe 


rs= 


5 


m 


-*—* 


t  t 


jt  ^  -*■ 


m 


^ 


i^T^ 


r    - 


r 


S: 


i^L^=u=i^m-u=^i 


-m- 


I     1.    U — •— -<=^ ^^^p— '—— ^Sr^S-p-r 

well !    .    .    .  Fare-well,my  f ai-ry      fay !  Oh,I'm  off  to  Louisi  -  an  -  a,  for  to  see  my  Su-sy  An-na^  Singing, 

well !  Fare  thee  well ! 


^ 


I     I     I    :g=   I     I     I        :r  I  I  |       ^         1  |  =^ 


^~^  * 


^E^ 


S 


^ 


-ZJt- 


^ 


^ 


p 


'^^ U.L UJ-J-U 


A— ^ 


P 


^— « 


-#—•—• — « 


< — •■ 


f^  T^rD  "l    -r^f-D  ^ 


*Tol-ly-wol-ly-doo-dle"aU  the  day !         Fare  -  well !    .     .     .     Fare  -  well !     .     .     .   Fare  -  well,    my    fai-ry 

Bass.  Fare  thee  well  1  Fare  thee  well  1  Fare  thee  welt  I  Faro  ttiee  well  I 


P 


n-J  J     I-    J-;l 


-*—*- 


tttt 


^ 


Iftr 


tttt 


*^~r 


Copyright,  1880,  liy  Wu.  II.  Hills. 


POLLY-WOLLY-DOODLE.    Concluded. 


43 


#tg^Eg^##j^^E±^^^ft^E^EJ^aa 


Ttr 


fay!   .  Oh!  I'm  off  to  Louisi  -  an  -  a,  for  to  see  my  Su  -  sy  Aii-na,Singing/*Polly-wol-ly-  doodle/'all  the  day. 

fay  I  fairy  fay  1 


^=m^^^^ 


m 


I 


:^ 


m 


^ 


i 


1 


-z?- 


t- 


3  Oh !  I  came  to  a  river,  an'  I  couldn't  get  across ; 

Sing,  "Polly," etc. 
An'  I  jumped  upon  a  nigger,  an'  I  tho't  he  was  a  hoss  ; 
Sing,  "  Polly,"  etc.  —  Cho. 

4  Oh !  a  grasshopper  sittin'  on  a  railroad  track, 
A-pickin'  his  teef  wid  a  carpet  tack.  —  Cho. 


5  Oh!  I  went  to  bed,  but  it  wasn't  no  use ; 

My  feet  stuck  out  for  a  chicken  roost.  —  Cho. 

6  Behind  de  barn,  down  on  my  knees ; 

I  thought  I  heard  that  chicken  sneeze.  —  Cho. 

7  He  sneezed  so  hard  wid  de  'hoopin'-cough, 

He  sneezed  his  head  an'  his  tail  right  off.  —  Cho. 
And  so  on  ad  infin. 


AURA  LEE. 


Dolce,  p 


A  ndante.  mf  ores. 


^^^W^Fj^^CJid^-R^ 


Used  by  permission  of  John  Chdrch  &  Co. 

MY   LADY. 

mf  ores. 


lrit.2. 


^^1^=^ 


S^S 


t'— t'-v- 


1.  I  hear,    I  hear, 

2.  I  see,    I    see, 

3.  I  lore,   I  love, 

4.  'Ti3  love,  'tl9  love. 


I  hear  my  la  -  dy,  ha!  ha!  ha!  I  hear,   I  hear,  I  hearmy  la  -  dy,ha!ha  ! 

I    see  my  la  -  dy,  ha!  ha!  ha!  I    see,   I    see,    I    see  my  la  -  dy,ha!  ha! 

I  love  my  la  -  dy,  ha!  ha!  ha  !  I   love,  I   love,  I   love  my  la  -  dy.ha !  ha ! 

'tia    love  that  makes  the  world  go  roimd,  Tis  love, 'tis  love,  'tis  love  that  makes  the  world  go 


ha!  ha! ha! ha! 
ha !  ha ! ha ! ha ! 
ha!  ha! ha! ha! 
round,  world  go  round. 


Copyright,  1830,  hy  Wm.  H.  Hills. 


44 


FAREWELL  FOR  EVER. 


Words  by  H.  B.  Faknie. 


Music  by  Michael  Co.nnellt 


FlASO. 


All  night        thro'  thy  slumbers  my  passionate  numbers  Have  tlirill'd  to  tliy  dream  ing  heart, 
My  heart  wildly  beating  would  liear  thee  repeating  Thy  vow,thou  art  mine  alone  : 


Till      drawn 
And     far    . 


M 


^  I    j- 


^izS 


^=t-«-«i: 


S^^ 


m 


mm-, — r-4   I   I 


Tgzl^ 


9  ial 


m 


s 


■al— S- 


d\»       *"■ 


aai 


^^  4i»U-     ijzj:  1:  -^ 


^m 


^^feElE^^ 


=^:* 


^ 


i^N^ 


poco  agitato. 


*5rf> 


i 


i 


f 


e2=t:J 


Se 


it 


i #- 


by  my  sorrow,Thou  wak'st  with  the  morrow.To  know  that  this  hour  we  part. 
.  o'er  the  billow.My  dream-haunted  pillow  Shall  bring  thee  a-gain,raine  own, 


The  dews  of  last  night  are 
One  touch  on  my  hand.one 


?  1    d—d--^ 


^ 


^^ 


»»^       ^^d»-±  -*- 


^m 


w 


i 


Fed.  poco  agitato. 


? 


J-^^<-^ 


W^ 


t 


^ 


ritard. 


A-N-^-^-— 3=V-K 


'5»- 


dry  on  the  plain,  Yet  on  my  cheeks  tears  are  falling  like  rain.  Oh  I   . 
kiss  on  my  brow,    Over!  and  tliou  art  a  memory  now. 


Farewell  for  ever,  Farewell  to  thee! 


:5;'->^'-  -J^'-te     T 


53:  eS^  :         i  5»-  — 't#  — 


=^*? 


j-T-l^:  ir^- 


=qid==--pi 


,1^  1  ilJiiIJi ^H^'~^"^~l  *  "^  "^  TJr^ 


^  nf         ^  ^f  -•-  i 


^^ 


P 


padiih.'yy.c. 


I 


F=^ 


3 


*-Ti< 


^ 


:S3t 


^5 


^i 


:1S=*=K^ 


=^ 


!>*■-, 


Mountains  may  sever,     man  -  y    a    lea!     Brighttho'oTirdreaming.'Twasnotto  be,      Farewell.my  own,  totheel 


^^^ 


^^r^l^!^^^r^§E^^Fi^^ 


iH 


± 


^ 


F± 


-♦t- 


i 


^ 


I 


FORSAKEN    AM    I! 


4o 


EngliabVorda  by  LUDWIQ. 
Firqt  and  Second  Tenor. 


THUS    KOSCHAT. 


T- 


=«=q^?:== 


for  -  sak 


S^^i^ 


It 


3: 


u 


1.  For  -  sak  -  en,     for  -  sak  -  en, 

2.  A    raouud's  iu      that  churchyard.    Fair  buds  o'er 

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will      not       a-  wake; 


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I        go     to      a      graveyard,    No   hope  my  hearts  cheers,  There  sad  -  ly        I 
Each  day  do      I       stay   there.  To  weep   by       the   stone.      And  bit  -  ter  -  ly 


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kneel  rae.      And      shed  bit  -  ter  tears, 
feel  there  That  on  earth  I'm  a  -  lone. 


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There  sad  -  ly        I    kneel  me.      And      shed  bit  -  ter  tears. 
And  bit  -  ter  -  ly    feel  there  That  on  earth  Tm  a  -  lone. 

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GIN-SLING. 


Am—"  Good  old  colony  times." 


1.  In   good  old      col  -  o  -  ny  times.  When  we    lived    un  -  der    the  king.     Each  Sat  -  ur  -  day  night  we 

2.  And   Senior,  and  Junior,  and  Soph, And  Freshman, and  tu  -  lor,  and  prof.  When  once  they  be  -  gan.  they 

3.  And  Hoi -lis       used        to    roar.   And  Stoughton      used  to    sing,   While  the  rollicking  rabble  lay 

4.  But  times  are    changed  since  then.  And     life's     a        dif  -  fer  -  ent  thing.  And  gone  are   the     good  old 

^  ,-  ^  _^_  _^  I-      .        J  -r*-  -'-  •  -*-  '  ' 


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tight,     A  -  pour  -  ing  down  gin  -  sling, 

off,      A  -  pour  -  ing   down  gin  -  sling, 

table,    A  -  pour  -  ing  down  gin -sling, 

times.  When  we  liv'd  under  the     king. 


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A    -    pour  -  ing  down   gin  -  sling. 

A    -    pour  -  ing  down  gin  -  sling. 

A    -    pour  -  ing  down  gin  -  sling. 

When  we  liv'd  un -der      the     king, 

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pour-ing  down  gin-sling, 
pour-ingdown  gin-sling, 
pour-ing  down  gin-sling, 
liv'd  un-der     the   kin 


Each  Sat-ur-day  night.  We  used  to  get  tight,  A  -  pouring  down  gin-sling. 
When  once  they  be  -  gan.  They  nev-er  feft  off,  A  -  pouring  down  gin-sling 
While  the  rollicking  rabble  Lay  un-der  the  table,  A  -  pouring  down  gin-shng. 
But     gone  are  the  good    old    col  -  o-  ny  times,  When  we  liv'd  under  the  king. 


li^^^^g^^j^iii^^fe 


46 


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THE   MERRY   CHINK,   CHINK,   CHINK. 

Words  and  Music  by  G.  W.  Hcnt. 


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1.    Some  Elng  of  charming  woman,    Some  sing  in  praise  of  drink,         I'll  sing  of  what  we  all     a -dore.And  that's  the  mer-ry  chink.  You  may 


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call    it     fll-thy     In  -  ere,         Vou  may  call  It     fll-thy  dross,  But  up    a    treeyou'resureto  beWhen  you've  to  mourn  its  loss. 


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For  there's  nothing  half     so      Jol  -  ly     as      the  chink  .chink  ^hink,         Nothing  half   bo    handy      as    the  chink.chlnk, chink.  You  may 


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wife,     You  may    do     wlth-out      a  drink,     But    you    can't    do    with-ont  the   merry    chink.  chink,chlnk. 


do     without 


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.  A  rof;iilf>li  llltln  darling  lond 
Knrli.'inlmcnt  to  vour  life; 
Tonr  (.iinirlisfl  wntilil  be  complete, 

If  mIh-M  Im-.oiiic  your  wife! 
Tow.'inl-*  lilif-^  iii.i^UT  Ciipltl 

Blindly  Irudn  you  to  the  brink, 
Wbrrc  ho  very  oftnn  drops  you 
If  you  haven't  sot  the  '^'  cidnk."— Cbo. 


3.  And  whorf^  would  bo  our  darllngn, 

Oh  I  wbiilrvcr  \\oiild  Ihoy  do? 
There'll  Ik?  xm  IcilWiior  pimlcn, 

Nor  uniiK  <l)niiri«  np  nt  Kcw. 
Swan  find  r.dKMi'f,  I'l'lcr  K(il)ln5<oirs, 

And  Piich  *'  nwoL't  "  Hlinpg  I  tlilnk 
Would  bo  noiiKtit  to  tticiu  without  tliat 

Most  accoinniodftUng  "  chink."— Cuo. 


4.  Should  you  wlcli  to  tpst  your  better-half. 

Ah  to  Ii<!r  Invo  for  "  Tin," 
Just  Pij,ni  a  chi'ck  —  leave  It  blank, 

And  l.'i  Ii.Tflll  It  In. 
Enrli  w.rli  ilui  Imnk  rate  would  go  up, 

WfM  jilU'o«ni;tsh  I  think. 
If  lovely  woinnn  only  bad 

The  run  of  all  the  chink !— Ciio. 


THE  LADY   IN   CRAPE. 


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1.  Tliere  came  to      the   Cape        a      La  -  dy  in       Crape,     Of        whom      you    may 

2.  And  when  with    a     clang      the    din  -  ner  bell      rang,      To  the  ban    -    quel  hall 

3.  And  when  with  their  lines      they  eat    'neath  the      pines.       And     fished      in      mute 

4.  These  words  that  she  ut-tered  were  scarce     -  ly  muttered,When  her  line  grew  aa    heav-y 


not  hear; 

they  sped ; 

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She  wrote  her  -  self  down  in    the    ris-i     -  tor's    book,    Asthe"La-dy  from  Gar  -  di-neer." 

They  sat  re        -       mote  at     the   (a-  Ue    -     d'  -  hole.  While  the  boarders  sat    at        the  head. 

Asthefish-er-    men    passed  they  howl'd  thro'  the     blast:  "Oh,    give  us  a  lock  of  your  hair!" 

And    up    rose      a    creat-ure,whose  ev- er    -  y      feat-ure,  Re  -  sem-bled  her  hus- band  dead. 


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And  with  her 
The  boarders 
The  La-dy, 
Come  hith-er 


was  seen        a      La-dy  in  Green, 

.     .  proud  laugh'd  long     .     .  and  loud, 

she   said,  "My    hus-band       is   dead, 

to     me,        in    the  deep      blue  sea '." 


Of      whom     you  may 
Loud  laugh'd  each  lit    • 
A      drownd-ed    man 
And  he  puU'd   so    hard 


hear  more ; . 

tie  child;. 

is  he !      . 

at  her  line,    . 


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Her     husband  was       drowned  in  Long  Is  -  land    Sound,    So      sea   -    green  weeds  she  wore.     . 

As  they  ate    their        chowder  they     laughed  the  loud -er;  But  these  nei- ther  ate    nor  smiled. 

I        wish   he  would    rise,  with  his     pale       blue     eyes,      And    speak      one   word  to  me.".    . 

That  he  drew  her  down,  in    her     pale      green    gown,While  she  sang,  "For  -  ev  -    er  thine!". 


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Copynslii.  ISMi,  by  Wsi.  II.  Uiiis. 


48  WELLESLEY  COLLEGE  SONG. 

"All  Hail  to  the  College  Beautiful." 

Written  for  the  "Literary"  of  the  Zeta-Aipha  and  Phl-Slgma  Societies  of  Wellesley  College,  Jnne  23,  1S77. 
Words  by  Miss  K.  L.  Bates.  Music  by  C.  H.  Mobse. 


Co7i  moto. 


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SOl'RAXOS.  -f-   -&>-  -f-  I 

All  hail    to  the    College    Beau  -  ti  -  f  ul !  All  hail    to    tlie      na  -  vy  -  blue ! 

All  hail    to  the    College    Beau-ti-ful!  All  hail    to    the  brave  and    bright 

All  hail    to  the    College    Beau-ti-ful!  All  hail    to    the 
ALTOS. 


sacred 


All  hail  to  the  girls  who  are 

She  has  taken  her  place  in  the 

walls!    Where.sinkinga-way  in  the 


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gath'ring  pearlsFrom'the  shells  that  are  o  -  pen    to      few!     From  the    shells  upcast  by  the  ebb  -  ingPast  On  the 

swift-sandaled  raceWhere  the  strong  man  smiles  in  his     might,       Oh,      shin-inga-risethe      lights  in  her  eyes,And  her 

shad-owy  gray.  Aye,  the  sun's  last    ra-di-ance     falls!      Where     first  on  the  lake  the  daybeams  awake,Aiid  the 

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shores  where ,faitliful  and  true,  . 
hands  are  hot  for  the  prize.  . 
Spring's  white  mana  -  cles  break. 


.  An  earnest  band.with  the  grop-ing  hand.Are  seeking  the  jewels  from 
.  Now  fast  and  far  let  the  race  be  tried!  She  runs  in  her  weakness  and 
.  But  flushed  in  waking  or    pale    in  rest, With  leaves  on  her  hair  or  with 


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Maestoso. 

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un-der  the  sand;And  spreading  a-broad  through  the  breadth  of  the  landThe  name  of  the  nary  blue,And  spreading  a  - 
.  he    in   hispride.    But    run  as  they  will, they  will  run  side  by  side,And  share  in  the  victors  right.  But  run    as  they 
snows  on  her  breast ;  For  -  ev  -  er  the  fair  -  est,and  noblest.and  best.AU  hail  to  her    sa  -  cred  walls !  Forev  -  er  the 
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broad  through  the  breadth  of  the  land.The  name  of  the  na  -  vy- blue.        AUhail    to  the  College,      hail 
will,     theywillrunside  by    side.  And  share  in  the     vie -tor's  right. 
fair  -  est,  and    no-ble8t,andbe8t,  All  hail    to  her    sa  -  cred  walls! 


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hail     to  the  royalthrone.Wlience  her  heartwithin  her  burning,    Silver  -  voiced,  far-eyed  Learning  looks 
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Copyright.  1879,  bf  C.  H.  MoR.<iii.    By  permlaslon.    Publmiieil  separately  by  Prof.  C.  II.  Morsc,  Wellesley,  Mom. 


WELLESLEY  COLLEGE  SONG.    Concluded. 


4'.) 


Maestoso. 


1st  Ji  2nd  verses. 


last  verse,  ad  lib. 


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on    her  own!  Looks  up-on   her    own!  Looks  up  -  on  her  own!  own!  Looks  upon,  . 


,  looks  up^n       her  own ! 


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IN   HEAVEN   ABOVE. 

oLo.  AUeqro  motto,   f  choeds.  . 


Solo.  Allegro  molto.  f 


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In    Heav-en     a    -  hove,  where    all 
But     down      be  -  low,     where    all 


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is    love,  There'll  be  no    Fac  -  ul  -  ty  there! 

is     woe,    Our  Fac  -  ul  -  ty       they'll     be   there ! 


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-  -  0-L-U-M-B-I-A!      C-0-L-TJ-M-B-  I-A!       C-0-L^-M-B-  I-A!  Hang  the  Facul  -  tyT 
H-A-R    -   V-A-R-D!      H-A-R-   V-A-R-D!      H-A-R-    V  -  A  -  R-D!  Hangthe  Facul- ty! 

— J — tU Cu tu ■>  *-« > T-r-F-  -f-  ^ 


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AiB— 'TAe  Menagerie." 


Ha  S  O^. 

Words  by  Miss  M.  C.  Eno,  Class  of  '80,  Wellesley  College. 


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1.  Directions.  You    take    a    fewpiec-es  of  zinc.    And       put    in   your  gen  -  er  -  a  -  tor,     Add 

2.  Observations.      The       ac  -  tion  was  not  ver-y  brisk.When  I    put    inH,       SO«,SoI 

3.  Conclusions.       As  I   wiped  up  the  ac  -  id  and  zinc,  And    swept  up    the  glass  from  the  floor,  I     con- 


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wa  -  ter,then  plug  in  the   cork,     And  pour  in   H    i       S    O     4,      And  pour    in    H    «       S    0     «,      And 
tried    ni-tric  ac  -   id  to    see       If  the  tiling  wouldn't  bubble  up  more.If  the  thing  wouldn't  bubble  up  more.If  tlie 
clud  •  ed  I'd  stick  to  directions,  And    try    my  own  methods  no  more.  And  try  my  own  methods  no  more.And 


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pour    in   H    J        S    O    «,       Add      wa- ter,  then  plug  in  the   cork.     And    pour    in   H    t       SO,, 
thing  wouldn't  bubble  up  more.So    I    tried  ni  -trie  ac  -  id    to    see        If  the  thing  wouldn't  bubble  up  moro. 
try    my  own  methods  no  more,I  con  -  clud-ed  I'd  stick  to    di-rections,  And    try    my  own  methods  no  more 

Copyright.  1S80,  by  Wm.  H.  Hills. 


50 


THE   BOLD   FISHERMAN. 


Tempo  di  valse.  mf 


Words  and  Music  by  G.  \V.  Hdnt. 


1.  There   once     was  a    bold      Fish-er-man,    Who    sail'd  forth      from     Billingsgate,    To    catch    the       mild 

2.  First  he  wrig  -  gled,  then  he    strig-gled,     In  the    wa  -  ter         so  bri-ny  -  o,        He      bel  -  low'd  and  he 

3.  His      ghost     walked  that        ni-i-ight,     To  the  bed  -  side       of  his  Ma- 7-^  Jane ;  He      told     her     how 


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po    -    gy,  And  the  shy  mack  -  er  -  el.        But  when  he  arrove      off      Pim-li-co,       The  stormy  wind,  it  did  be- 

yel  -  lowed  Out  for  help,  but  in  vain  ;        Then   down   did  he   gently  gli  -  i  -  ide,     To  the  buttom  of  the  sil-v'ry 

dead  he  was,"Then,"  says  she,"I'Il  go  mad  !"  "  For  since  my  dovey  is  so  dead,"  says  she,  "i\ll    jo  -  o  -  oy  from  me  "has 


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-  gin  to  blow.  And  his   lit-tle  boat,  it  wib-ble  wob-ble  so.  That  slick     o-ver-board   he       fell.  Spoken.  All  among  the 
Conger  eels,  and  the  Dover  soles,  and  the  kippered  Herrinj^s,  and  the  Dut«h  plaice,  and  the  Whitebait,  and  the  Blackbait,  and  the 
Tittlebats,  and  the  BricbbatB,  and  the MuUibobs,  and  the  Pummy -jobs,  singing: 

ti  -  i  -  ide,       But       pre-vi-ous-ly  to  that  he  cri-i-ied,       "Fare   -  well.  Ma  -   ry     Jane!' 
to  the  terra  Jirma  at  the  bottom  of  the  aqua  pura,  he  simply  took  a  cough. lozenge,  and  murmured  :    .    . 

fled,"  says  she,"  I'll  go  a  rav-ini;  lun-i  -  ac  !"  says  she.  And  she  went  star  -  ing  mad.  .Spoken.  She  thereupon 
tore  her  best  chignon  to  smithereens,  danced  the  *'Can-Can"  on  the  top  ot'the  water-butt,  and  joined  the  Woman's  Rights  Associ- 
ation, and  IVequently  edilies  the  angelic  members  thereof  by  softly  chanting  a  song  of  plaintive  memory,  viz. : 


Spoken.  N\"hen  hecame 


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Twin  -  kic      doo  -  die  -  dum,     Twin  -  kle      doo  -  die  -  dum,     That's  t!v! 
Twin  -  kle      doo  -  die  -  dum.     Twin  -  kle      doo  -  die  -  dum.     That's  the 


high  -  ly        in 
re  -  frain     of 


ter  -    est    -  ing 
the    gen  -    tie 


Twin  ■  kle      doo  -  die  -  dum,     Twin  -  kle      doo  -  die  -  dum,     That's  the     kind      of      soul  -    in  -  spir  -  ing 


^=^= 


f^ 


:-iE 


11 


:c-dr 


tizzii 


THE   BOLD  FISHERMAN.    Concluded. 


.01 


B.C. 


MEERSCHAUM    PIPE. 


Espressivo.  nif 


Hi 


:^3— N- 


^-rr1^5- 


-jd=iz 


'■^ 


itTtzJz 


!■•-■•-«--•■  \         —  —  ZZ  "* 

1.  oil,  who  will  smoke  my  meerschaum  pipe,  .    .    .       Oli,     who       will  smolje  my  meerschaum  pipe Oh, 

BASSES:  Meerschaum  pipe,  basses:  Meerschaum  pipe, 


Unison.  ff 


3=: 


-•—»- 


U^i 


-#— P— 


1 7S-' 


who  will  smoke  my     raeer-schaum  pipe.    When   I 


am    far 


a-wav  ? 

basses:    Al-lieBazan!         BAD    MAN!!! 


^ 


^:JJ     is*     ***    ***     -••-•♦-.•^    w-^^-^    :$.    t    tt 


fefi^t 


4. — t-i- 


2.  Oh,  who  will  wear  my  casfroff  boots  ? 

Allie  Bazan  !  Johnnie  Moran  ! 

3.  Oh,  who  will  hoist  my  green  umbrell ! 

Allie  Bazan  !  Johnnie  Moran  !  Mary  McCann  ! 

4.  Oh,  who  will  go  to  see  my  girl  ? 

Allie  Bazan,  Johnnie  Moran,  Mary  McCann, 
Kazecazan ! 

5.  Oh,  who  will  take  her  out  to  ride  ^ 

Allie  Bazan,  Johnnie  Moran,  Mary  JleCann, 
Kazecazan,  Yucatan  ! 
•  Repeat  this  strain  ouce  for  second  stanza,  twice  for  third,  etc. 

Copyright,  1881,  by 


6.  Oh,  who  will  squeeze  her  snow-white  hand  1 

Allie  Bazan,  Johnnie  Moran,  Mary  McCann, 
Kazecazan,  Yucatan,  Kalamazoo ! 

7.  Oh,  who  will  trot  her  on  his  knee  ? 

Allie  Bazan,  Johnnie  Moran,  Mary  McCann, 
Kazecazan,  Yucatan,  Kalamazoo,  Michigan ! 

8.  Oh,  who  will  kiss  her  ruby  lips  ? 

Allie  Bazan,  Johnnie  Moran,  Mary  McCann, 
Kazecazan,  Yucatan,  Kalamazoo,  Michigan, 
BAD  MAN ! ! ! 

t  For  last  stanza  only. 

Wm.  II.  Hjlls. 


52 


THE  MAID  OF  YORK  BEACH. 


Allegro,  mf 


~^— N- 


;'EiE5^ 


tsz 


• ^ 


Si 


^-*- 


y—'/- 


±a!; 


W^^^=W- 


1.  Oh,  sometime  to  come,  I  remember   it  well,  Tins!  ting!  'Way  down  on  York  Beach  a  maiden  did  dwell;  Ting!  ting!  She 


^ 


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*— ^— ^— J— *- 


^?r=lfcg= 


-r^^-i^^ 


rrvTs       r:>. 


^^S^Eggi^g^Efe^ 


tZIJC 


Vi/\i/  >>i/ 


■^33 


» • r^ • r»- '  — ;;^ r» ^ r^ • ^•-^ — ^ 

• — ■ — a — » w  -* a — *  f  -  r*  ' — i — a • iT— » ir  "• * — »  -  -  -»~ — } — e 


/Tv/JV       ' 

r-t — ^ — ^ — ^ — K— N 

raK. 

fe1^=?-^ 

— (^ — j'^ — [^ — l'^^ — 1— J^ 

■■^■.|^  s,  !^  , 

^-"^^r^ 

^_;^zE^^:j 

•    •      !   ■*         i^ 

tt    4    4    4    ^ 

'-  s   S    4     '     p  p 

4    4    4    4^ 

dwelt  vith  her  father  and  mother  serene,Her  age 

.( 1 1 — 1 1 , — .   — ^_^ 

i^'^r*-*-'-^    r+  "^ — i — < — n* — 

t  was  red, and  her  hair 

was  nineteeu,Ting-a-ting 

Iting!  ting!  ting!  ting 

>   1— 1  >  ^- 

!  ting!  Tlng-a-tingl  ling! 
[tiug! 

-• — i^-^ — «- 

r   i^  t.  4  i  i 

1          1 

hi       7  1       7 

h"    f'd    7 1* — ^ — •  -  ^^ 

^^ ^ '- 

ti-^=;— 

-^ — t— « '- 

'-^           1^            -^ 

h           tr-' 

ti==^^   a 

2.  Now  close  to  this  maiden  her  lover  did  dwell, 

Ting!  ting! 
He  was  cross-legged  in  both  eyes,  and  knock-kneed  as  well, 

Ting !  ting  ! 
Said  he,  "Fly  with  me  by  the  light  of  yon  star. 
For  you  are  the  eye  of  my  apple,  yon  are !  " 

Ting-a-ting !  ting  I   etc. 

3.  She  answered  him  simply,   "  My  heart  knows  no  fear, 

Ting  !  ting  ! 
See  the  passion  I  feel  by  this  glittering  tear. 

Ting!  ting! 
Let  us  rfe-part  to-night,  ere  my  father  discerns. 
The  love  of  the  fervor  that  in  each  of  us  burns." 

Ting-a-ting  !  ting  !   etc. 


4.  Now  when  the  old  par-i-ent  heard  of   the  raid, 

Ting  I  ting  I 
He  quickly  did  open  the  knife  of  his  blade, 

Ting!  ting! 
And  went  with  his  thi'oat  at  the  lover's  fond  steel. 
Saying,  "  I'll  cure  you  both  of  this  'passion  you  feel.' " 

Ting-a-ting!  ting!  etc. 

5.  Now  this  lover  sank  down,  and  reposed  in  his  gore. 

Ting!  ting! 
And  the  fond  maiden's  fair  tears  availed  her  no  more! 

Ting !  ting! 
What  a  tragedy,  now,  for  a  maiden  so  fair, 
Whose  age  it  was  red,  and  nineteen  was  her  hair  I 

Ting-a-ting  !  ting  !  etc. 


Solo.     Vert/  nasally. 


THE   BAGPIPES. 


rfe^ 


Note.— Ab  the  soloi-tt  reache.'*  the  clinmx  of  the  Bwell  in  the  last  meaaure,  tljc  chorus,  diminuendn-infj,  turn  on  their  heels  and 
scatter  in  all  tlircctinns,  thus  illustrntinR  the  iicculiar  die-away  ilinsipation  of  sound  characteristic  of  the  bag-pipes.  Meanwhile 
the  HololHt,  holding  his  note,  stands  facmg  the  audience,  and  puts  an  added  volume  of  twang  into  his  Ihiish,  as  though  he  had,  willi 
an  effort,  squeezeil  his  bag  flat. 

Copyright  1881,  by  'Wm.  TI.  Hills. 


i 


Andante,  mf 


Se 


THE  THREE  FLIES.     Ballad. 

i^ :^ — &■ — &■ — ^ 


53 


::^ 


1.  There  were  three  flies,  once     on        a      time,     De  -  ter-inined  for  to  travel  und  change  their  clime;  For  ihej 


^^E^^^^^f^^m^^^^^f^ 


M—fr 


-^--^=6^16!= 


didn't  care  a  hang  for  their  father,  nor  their  mother,  Nor  their  uncle,  nor  their  aunt,  nor  their  Bister,nor  their  brother. 


■\t=3z 


iii^ 


Iz5^i 


-^— 


i 


i^ 


.  The  first  was  a  yellow  one,  the  second  was  blue. 
The  third  was  a  green  one  to  the  view. 
And  away  they  flew  with  a  "  hi-ho-hum," 
Singing  as  they  went,  "  Glory  hallelu-jah-runi !" 

.  They  hadn't  gone  far,  when  the  yellow  one  cries, 
''  Look  down,  my  boys  !  a  supper  I  spies ;  " 
But  the  blue  one  answered,  "  Upon  my  word, 
1  can  see  nothing  but  an  old  dead  bird." 

"An  old  dead  bird!  there's  good  in  that; 
I'm  sure  it  looks  uncommon  fat ; 
And  I  hope  as  how  I  may  go  to  Davy, 
If  I  don't  have  some  of  that  rich  gravy." 

,  But  the  others  too  dainty  were  by  half — 
Now  I  can't  sing,  if  you  do  laugh. — 
Take  a  lesson  from  a  fly. 
And  never  give  way  to  /«x-ur-T . 

Away  then  flew  the  other  two, 
John-i-y  Green  and  Jack-i-y  Blue, 
They  flew  on  far,  and  did  not  stop. 
Till  they  came  opposite  a  butcher's  shop. 

.  "  Oh  ho  ! "  says  Blue-bottle,  "  Here's  a  treat ! 
I'm  particularly  fond  of  butcher's  meat." 
"  Then,"  says  Greeny,  "  off' I  go, 
For  I  don't  care  for  meat,  you  know." 


8.  Ofl^by  himself  the  other  one  flowed. 
And  into  a  grocery  shop  he  goed. 

And  there  he  played  some  very  merry  rigs. 

For  he  walked  into  the  sugar,  and  he  pitched  into  the  figs. 

9.  The  day  very  hot,  he  took  a  whim. 
Into  the  treacle-pot  for  to  have  a  swim, 
And  without  considering,  in  he  goes. 

Not  even  stopping  for  to  take  ofli'  his  clothes. 

10.  The  other  two  passed  by  the  door. 

They  heer-ed  a  voice  they'd  heer-ed  before ; 
And  flying  nearer  to  the  spot. 
They  lighted  on  the  treacle-pot. 

n.  And  there  they  found  him,  almost  dead. 
And  unto  him  Blue-bottle  said, — 
"  Oh  !  Greeny  !  Greeny  !  all  our  arts  can't  save  ye  ; 
You'd  much  better  ha'  partaken  of  our  butcher's  meat  and 
gravy. 

Moral. 

12.   Take  a  lesson  from  o-fiy, 

And  never  give  way  to  luxur-^. 
And  all  young  folks  inclined  to  roam. 
Take  mv  advice,  and  stay  at  home ! 


I'VE  LOST   MY  DOGGY. 


Con  dohyre. 


'^s^mw 


F= 


fi5^ 


•r 


tzx 


I've  lost    my   dog-gy.  Who's  seen  my  bow-wow?  Poor  little  doggy!  Bow-wow-wow-wow  I     Bow-wow-wow-wow! 


SSsai^ 


?='ir* 


L^— ^_*- 


ow- wow- wow ! 


H" 


I  I 


Jn  unison. 


1      1      I 


CLOTILDA.     A  Serenade. 


[This  is  to  be  sung  over  and  over,  the  pitch  being  raised  a  whole  tone  at  each  repetition.] 


Clo-til  -    da!     Clo  -    til  -  da !    My    heart    you      be  -  wil  -der  !*  (Stamp!  stamp!  Clap!clap!)  tGood-nignt! 

*  Acted.  t  Shouted. 

Copyright  1881,  by  Wm.  II.  HlLLS. 


54 


HALICO!    CALICO! 


ifoderato. 
rfi-rk-p 

p— N— N N— N— 1>, ^- 

M^-z=^^ 

—• • -0—0 • •'— 

_^^_N_A— 1 

-^-#— «_*_•_?_ 

tW    '^-H-    i 

-^    r — ^  1 

1.  As 
Chorus. — Sing 

2.  What 

I        weat  by           a       red  -  her-ring  pond, 
,  Ha  -  li  -  CO,  ca  -  li  -  CO,     lung  -  i  -  dor-glav, 
shall    we  do  with  the    red -her-ring's  fins'? 

I   saw    a    lit  -  tie   dog 
Set  your  dog  on  your  dog, 
Make  'em  all    up    in  -  to 

1 i; ' ' = 1 i 

for  -  ty    feet  long, 
let  your  dog  lay. 
Fresh  -  man  pins  ; 

W^^ 

—^-4-^—^*-* — •— • — '—•- 

-^—^--^—7      4      «!- 

=^^=S=^=J=^ 

J                     -i--5--5--5-          •J--5--J- 
11                II 

-J-                         ■#■•*■                     ■*■-•• 

1                                         1 

1                            1 

^                      J 

liL-fcu    « 

^1         f    '\         1 

*              1      ' 

•t 

1              •f        '              •* 

^                •<       ^               * 

2-^H^8    ' 

-^ '-^ '- 

-i ^-~] ^ 

-^ ■ — ^ '— 

1^ 


I  1- 


k-  


Chorus.     D.C.) 


-Hi' 


IC 


JziC — « — 0 — 0 — 0 — 0 — 0- 


-V- 


-/— / 


(1)  For  -  ty     feet    long,      and       fif-  ty     feet  square,    And  if  that     is  -n't    so,  why,  then,    I  was  -  n't  there. 

(2)  Fresh  -    man  pins  for    the    Freshman  that  sins.        And  that's  what  we'll  do    with   the     red  -  her-ring's  fins 


^ 


31 


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I    2.     accei 


-^ (t. 


-y-— y- 


■-y- 


{Cho.)    Setyour  dog  on  yourdog,  ros  -  in    your bol  -  li  -  wog.  Tumble    up,  tur-nip  head,  Fly  a  -  way,  gin    gerbread, 


=5=5z 


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fefef 


rr-0~r 


^    f>  #- 


Chant  ad  lib. 


xr t^-v — y 


P u* k* 1/- 


-• 0—0 1- 


■V — y— y- 


-1/ ^ K*- 


(C'/iO.)    Get  on  your  mus-cle  -  0,  Don't  you  de-ceive  me    so,     Shilly-pap-poodle  my  other  dorg  a    -     Bou-li-wag-gy-o! 


^^=3E3E 


.   Wliftt  shall  we  do  with  the  rcd-hcrring's  heart? 
Make  it  all  up  into  Freshman  tart; 
Freshman  tnrt  for  the  Freshman  that's  smart, 
And  iliat's  what  we'll  do  with  the  red-herring's  heart. 
Clio. —  Sing,  Ilalici),  calico,  etc. 


4    What  shall  we  do  with  the  red-hcrnng's  scales? 
Make  'em  all  up  into  Freshman  flails; 
Freshman  flails  for  the  Freshman  that  quails, 
And  tliat's  what  we'll  do  with  the  red-herring's  scales. 
Clio. —  Sing,  Ilalico.  calico,  etc. 


Copyright  1881,  li>-  Wm.  11.  llai.9. 


COCKLES  AND  MUSSELS. 


55 


Andante,  mf 


SE* 


-f— ''^U 


s 


^ 


£gg=a 


1.  In    Dub-Iin    City  where  the  girls  they  are  so  pretty, 'Twas  there  I  first  met  with  sweet  Molly   Ma-lone;      She 

2.  She  was    a  fish-monger  and      that     was  the  wonder.  Her    father    and  mother  were  fishmongers  too ;      They 

3.  Shedied  ofthefaver,    and      noth -ing  could  save  her,  And  that  was  the  end  of  sweet  Molly   Ma-lone;      But  her 


^ 


t 


^- 


=g=g=^^ 


drove  a  wheelbarrow  thro'  streets  broad  and  narrow, 
drove  wheelbarrows  thro' streets  broad  and  narrow, 
ghost  drives  a  barrow  thro'  streets  broad  and  narrow, 


Crying,  "Cockles  and  mussels,  a  -  live,  all  a  -  live  !" 
Crying,  "Cockles  and  mussels,  a  -  live,  all  a  -  live  !" 
Crying,  "Cockles  and  mussels,  a  -live,  all      a -live!" 


[I 


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3 


tr-*- 


^ 


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1= 


3? 


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Chorus. 


i^rit. 


^vii  r^'^^^^^ 


§=£ 


g-rrm 


-?■—&" 


A  -  live,    a  -  live 


A  -  live,    a- live 


Crying,"Cocklesand  mussels,  a  -  live,    all    a-live!" 


^ 


3^E 


? 


5. 


=t 


-a-     -^  .  ■* 


WHO  CAN  TELL?    Catch. 


Air —  "  Tkret  blind  mice." 


FiNB. 


^ 


&^ 


-P-n 


I 


1.  Why 
D.C.  Who 

2.  How 
D.C.  Who 


the 

can 

much 

can 


Fresh, 

tein 
sport, 

tein  etc. 


Why 
Who 
How 


the 
can 
much 


Fresh, 

tell? 

sport, 


Why  the 
Who  can 
How      much 


Fresh, 
tein 
sport. 


^ 


a 


i 


t: 


-p-n- 


When  - 
Soph  - 


e'er    they  hear, 
•  o  -  mores  have, 


When    ■ 
Soph  - 


-    e'er    they  hear, 
-  o  -  mores  have. 


When  -  e'er     they  hear, 
Soph  -  o  -  mores  have. 


The 
In 
D.C. 


^ 


I 


s 


±=t: 


-r^ 


■f-^—n 


V-v- 


-'ai-r 


'-^=^^%v 


Tt^ 


^  ./.^ 


=^ 


tramping  of  feet   in    the  dead     of  night.Springontof  bed   In     a     fearful  fright. And  se-ciire  their  doors     so  wondrously  tight, 
dlv    -    ing   in  -  to  all  sorts  of  8ciape9,ln"8alt  -  ing"of  Fre8h,and"curlng"  of  grapes.In  the  "gobbling  of  gobblet8"aDd  narrow  escapes* 


How  much  more,  ||   Ter. 

Of  Junior  time,  ||   Ter. 
With  thoughts  far  away  from  the  book  in  hand, 
la  spent  in  the  castles  of  airy  land. 
Where  celestial  beauties  bewitchingly  stand. 

Who  can  tell  ?   ||    Ter. 


4 

What  success,  ||   Tex. 

Seniors  have,  II  TV. 
By  practice  of  "Science,"  and  practice  of  "Arts" 
Through  making  of  love,  and  breaking  of  hearts 
In  becoming  a  prey  to  "Cupidine"darts, 

Who  can  tell  ?  li   Ter. 


56 


Words  by  Hlxtek 
Moderate.. 


NAUGHTY   CLARA. 

Melody  by  Knowles. 


1.  My  head's    in      a  whirl    thro'   a     sweet    lit  -tie    girl; 

2.  Her  hair       is      as  bright    as    the    sweet  sun    -    light, 

3.  Oh  what     can  I     do,     where  can    I         go  to, 


>l 


?=n]z 


"O-tr^r-- P — ' — --ro- 
ller    sweet    lit  -  tie  name  is 
Her    cheek             as     fair      as  th3 
For      this     haughty,  naugh    -    ty 

— N- 


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1 — -^  ^        J      S    '    d- 


Cla  -  ra,  There  ne  er  was    a   maid  such  a     dear       lit  -  tie     jade,      There  ne'er  was    a 

dawning,  But  to  speak  of  love     to    my    own      lit  -  tie     dove.  Is    sure     to 

fair    one,  _      If  I    take    her  a       rose  she  turns      up  her    nose.         And  says      she 


la  -  dy  fair  -  er. 

set     her       yawn  -  ing. 

ne'er  could     bear     me. 


But  she's  such  a    teaze,        that  I    never       can  please.      And 

I  swear    by    her  eyes,  I         swear    by  the  skies,  I 

And  if         we    go    out      there's  a  bo-ther      a  -  bout,  Her 


quite  alarm'd 

swear        by    the  stars 
taking  my  arm 


I'm  get-ting, 

a  -  hove  me, 

when  walking, 


She    nev-er  seems         right  from 

But    she      does'nt         care  for  the 

And    in  between  whiles  up-on 


■* * «h'- lt:i — J — 2-  ^ — 


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NAUGHTY   CLARA.    Concluded. 


0  / 


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morning  till  night,  Un-less  she      is  co-quetting. 

more  I  swear,  The  more  she    does    -     'nt  love  me. 

oth-ers  she         smiles,  And  with  them  will 


^- 


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be   talk-ing. 

?    r  I  ■  "f~?-?-C- 


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Oh  I 
Oh! 
Oh  I 


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Naughty,  Naughty,     Cla     -    ra!    how  can    you  serve  me  so?. 


Tt-"-^ 


I'll  go       to  De  -  me- 


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ra    -     ra,    If  you     tell  me       to    go!. 


I'll  chmb  up     all    the  moun_^ains,  I'll  swim  o'er 


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all       the    seasT7. .      If  you     will  on    -   ly  love     me  dear,   I'll  do      just  what  you  please . '. . 


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GEE!   WHOA!   DOBBIN! 


Andante,  'p 


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fc— V — ^ a — ^ — ^ — — m — •  -i — • — •  — • ~ ~ — '-•-i— 

9-Vf—i — 8 — » — j— F* — *  -f-*— * — *— F* *     f      *■ 


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Gee !  Whoa !  Dobbin  !  Drive  on    de  wag-in !  Gee !  Whoa !  Dobbin  !  oh !  Dobbin!  Gee!  Whoa!  Dobbin, Gee!  Whoa! 


S|^^=N^'-''-'-^-^ 


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Copyngbt.  iys3.  by  Wm.  H.  Hills. 


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SERENADE 

Andante  con  espress.    Music  by  F.  R.  Bcrton. 


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Words  by  Barrt  Cornwall. 

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A  -  wake  !  the  star  -  ry   mid  -  night  hour  Hangs  charm'd  and  pauseth  in     its  flight;   In     its    own  sweetness 
A  -  wake  !  soft  dews  will  soon    a  -  rise,  From  dai  -  sied   mead,  and  thorny  brake;  Then,Sweet,undoud  those 
SIS.  ^       I  K 


sleeps     the  flow'r,And  the  birds  lie  hushed  in  deep     de  -  light;  And  the  birds  lie  hushed  in    deep  de  -  light.     A- 
east  -    em  eves.    And     like  the    ten  -  der  morn- ing  break!   And    like     the     ten   -  der  morning  break  !     A- 


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■  wake !  a-wake !    a  -  wake  !    Look  forth,  my  love,  for  love's  sweet  sake ;  Look  forth, my  love,  for  love's  sweet  sake. 
•  wake !  a-%vake !    a  -  wake !  Dawn  forth,  my  love,  for  love's  sweet  sake ;  Dawn  forth,  my  love, for  love's  sweet  sake. 

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Awake!  within  the  musk-rose  bower, 
I  watch,  pale  flower  of  love,  for  thee  ; 

Ah  !  come  and  show  the  starry  hour, 

II :  What  wealth  of  love  thou  hid'st  from  me. 

Awake  !  awake  !  awake  ! 
II ;  Show  all  thv  love,  for  love's  sweet  sake.  :j| 


Awake !  ne'er  heed,  though  listening  night 
Steal  music  from  thy  silver  voice  : 

Uncloud  thy  beauty,  rare  and  bright, 
||:And  bid  tlie  world  and  me  rejoice.  :|| 

Awake!  awake!  awake! 
||:  She  comes,  —  at  last,  for  love's  sweet  sake  ! 


MAID   OF  COUNTY   PERTH. 


.  Andante. 


Chorus. 


I  love,  I  love, I  love, 

h  ^  ^  ,N  >  N  > 


nt. 


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J  r  love,    I    l<>ve,  I  care  not  whatthn  wnrld  may  say.I    lovo  .  . 
/ 1  love,    1    love,    I  lovi' till  breatlii.ita'ei»a  -  wav,I       love.  . 


.  I  love It    18  my  fooil  both  night  and  (lay, .    j 

.  I  love I  love  niy  ilarliiij; bride.  I 

^^        .     .     •!^^^^^^^ 


I  love,  I  love,  I    love,  ^ 
Copyright,  1S81,  by  Wm.  H.  Hats. 


Moderatu.  mf 

SOLO.    FIKST  TENOR. 


THE   BULL-DOG. 


59 


the 


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OLci     KIKSI    IT.NOK. 


bull  -  dog       on         the         bank, 
bull  ■  dog  stooped   to    catch   liitn, 

SOLO.    SKCOKD  B.\SS. 

• — n-    ■' 


Oh !    the 
Oh!    the 


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And   the      bull  -  frog    in       tlie     pool, 
And   the      snnp  ■  per  caught  his    paw, 

attacca  il  chor.  f  Chorus.  Alkf/ro. 


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bull-  dog  on       the       bank, 
bull-  dog  stooped  to  catch  him, 

SOLO.    SECOND  BASS,  ^t  ad  lib. 


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AIR.    Oil !    the       bull .  dog      on        the 
Oh !    the      bull  •  dog  stooped    to 


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And  the     bull-frog    in    the    pool. 
And  tlie  snapper  caught  his    paw. 


bank,  And  the   bull-frog    in    the  pool.  The    bull  -  dog  called  the  bull-frog,  A  green  old   wa  •  ter  -  fool. 
catch  him,And   the  snap-per  caught  his  paw, The    polly-wog  died    a   laugh-ing,  To    see  him  wag  his  jaw. 

|v     f^    J"    ^  ,,     ,     .  ^_,_  . ,_  , .—•-_.     ,     ^     _     , ^s 


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Sing-ing    tra    la      la      la  j  la      la       la,  .  .      sing  -  ing    tra    la      la    la  ( la    la      la,  .  .  .      Sing- 
i  leil  -  i    -     o,  .  .  I  leil -  i  -  o,  ... 


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repeat  pp 


'      3 a  .  _  3 3 3  icjyvui,/^/^ 

...__     1  _      1  _      t  _  1  _  1_  _? •-    ._        ^__,    I-      I_      I  ,  t„         1„        T" T„      1.,      I„  +-«1^      I«l^  «.»1»1»f1«         1„         1- 


tra  la  la  la       la     la,   sing-ing     tra  la  la  la      la     la,   Tra  la  la  la,     tra  la  la  la 


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tra  la  la  (  la    la    la. 
1  leil  -  i 


^^m^^^^^^ 


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3  Says  tlie  monkey  to  tlie  owl  - 

"  Oil !  what'U  you  have  to  drink  ? 
"Wliy,  since  you  are  so  very  kind, 
I'll  take  a  bottle  of  ink." 

4  Oh  !  the  bulldog  in  the  yard, 

And  the  tom-cat  on  tlie  rnof. 
Are  practising  the  Highland  Fling, 
And  singing  opera  bouffe. 

5  Says  the  tom-cat  to  the  dog  • 

"  Oh  !  set  your  ears  agog. 
For  Jules  about  to  tete-ii-tete 
With  Komeo,  incog. 


6  Says  the  bull-dog  to  the  cat 

"  Oh  !  what  do  you  think  they're  at  ' 
They're  spooning  in  the  dead  of  night  • 
But  Where's  the  harm  in  that  ''' 

7  Pharaoh's  daughter  on  the  bank. 

Little  Moses  in  the  pool, 
Pharaoh's  daughter  on  tlie  bank. 

Little  Jloses  in  the  water, 
Pharaoh's  daughter  on  the  bank. 

Little  Moses  in  the  pool. 
She  fished  him  out  with  a  telegraph  pole. 

And  sent  him  oft"  to  school. 


60 


Solemnly. 


THREE   LITTLE   KITTENS.    Chant. 


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1.  Once  on  a  time  there  were  three  little  kittens,  who  lived  together,   in  a  basket  of      saw 


-  dust  ; 


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After  3d  stanza. 


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Said  the  first  little  kitten  iin  -  to      the  two  other  lit-  (  "  If  3-ou  don't  get  )    Why,       I 


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out  of  this 


get) 


must ;  "  That's     so  !  * 


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\Vith  :i  vigorous  nod  of  affirmation. 


2.  Now  these  three  little  kittens  (pretty  ones)  |  lived  togetlier  |  in  the  basket  of  saw-aw-dust ; 
Said  the  second  little  kitten  |  unto  |  the  two  other  little  cats, 

"  If  you  don't  just  get  out  of  this,  |  Why,  I  must !  " 

3.  Still,  the  three   pretty  little  kittens  (such   was  their   imperturbability)  |  continued   to  live 

together  |  in  the  baslvct  of  saw-aw-dust ; 
Said  the  third  little  kitten  |  unto  |  the  two  other  little  cats,  ] 
"  If  you  don't  just  get  out  of  this,  |  Why,  I  shall  BcsT  ! !  "    That's  so. 


I   WISH   I   WERE  A—. 


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Con  espress. 


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J)  Fine. 


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1.  I    wish    I     were   a 
D.c.       I'm     a    June-bug, 


rhi  -  nos  -o  -  rhe  -    cus, 
and    I'm     a     bee  -  tie, 


And  could  wear  an  iv  -  'ry  tooth-pick  on  my  nose  ; 
I   can  buzz  and  butt  my  head  a-gainst  the  wall. 


«    r— S 


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+- » — • —  •- 


t^zzfeii 


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D.c. 


— *— 5— *- 

But  oh  I     I     am 


0 — J — ^1—-^ — 0-\-^ — I — P — ^— 1--^ 1 — — I — ' — • — # 


a  -  las  !    I        can  -  not         Be      a     rhi  -  nos  ■ 


rhi  -  nos  -o  -    rhe  -    cus. 


ty§=zir7p— r-^i 


-^    #■  * 


♦  j:i 


^^y— y— y— b^' — 

2.  I  wish  I  were  an  elephanti-us, 

And  could  pick  the  co-coa-nuts  off  with  my  nose! 

But  oh  !  I  am  not !  alas  !  I  cannot ! 

Be  an  el-c-phan — el-e-))han-ti-us  ; 

I'm  a  cock-roach,  and  I'm  a  water-bug, 

I  can  wander  round  the  musty  old  lead  jiipes. 


itipE 


V^lZ-CZ-y 

■0 0 1 


:=ti 


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^^1 


y— y — y — y- 


.•?.  I  wish  I  were  a  hippo-pot-a-mus. 

And  could  swim  the  broad  Euphrates, and  eat  grass! 
But  oh  !  I  am  not !    alas  I  cannot  ! 
Be  a  hip-po-po  —  hip-po-pot-a-mus  ; 
I'm  a  grass-hopper,  and  I'm  a  katydid, 
j  I  can  play  the  fiddle  with  my  left  hind  leg, 
]  I — (coyly)  can  play  the  violin  with  my  lkkt  uiiAii  limh. 


A  hckskp  marrh 


12.  A.  X. 


E£ 


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'Oh!     my!     Omega  Lam- bda  Chi !  We    meet    to  -  night  to       eel  -  o  -  brate  our     O- me- ga  Lambda  Chi. 


Copyright,  1881,  by  Wm.  II.  Ilii,i8. 


gEAUTIFUL  ENGRAVINGS,  finely  finished  and  carefully  chosen,  and  very  suitable 
for  the  decoration  of  rooms,  when  neatly  framed;  also  for  portfolios,  and  to  be 
studied  us  types  of  art.  They  contain  the  finest  works  of  the  ancient  ITALIAN 
and  GERMAN  masters,  and  also  the  very  choicest  of  modern  FRENCH  and  BRITISH 
Pictures.  They  are  printed  with  black  ink,  on  heavy  bevelled  plate  paper,  10  x  24 
inches  in  size,  and  are  sold  for  the  remarkably  low  price  of 

FIFTY    CENTS    EACH. 

(A    FEW    OF    EXTRA    LARGE    SIZES    ARE    ONE   DOLLAR    EACH.) 
They  have  come  very  generally  in  use  for  the  adornment  of  library  and  parlor  walls. 

There   is   now  a  wide   variety  of   subjects,   including  the    masterpieces   of   ancient  and 

modern   art,  reli(?iou3   pictures.   Madonnas,  domestic   scenes,  landscapes,  battle-pieces, 

deer,  dogs,  and  horses,  and  many  others. 

No  lovelier  present  could  be  devised  than  one  (or  a  pair)  of  these  lovely  pictures 

neatly  framed. 

Call  at  the  Heliotype  Art-Gallery,  215  Tremont  Street  Boston. 

THE    SUBJECTS    INCLUDE 

Dogs,  Deer,  Calves.  Birds,  by  Landseer,  Douglas,  Riviere. 


Saints,   Madonnas,    and    Religious  Subjects,    by   Ra/jhael, 

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Rural  Landscapes,  Farm  Scenes.  Harvest  and  the  Seasons, 

by  Aima-Tadema,   Turner,  Corot,  and  others. 
Domestic  Groups,  Fireside  Episodes,  and  Bits  of  Home-Life, 

by  Meyer  Von  Brenmn,  Millais,  Lefebure,  and  others. 


Horses,  Sheep,  and  Cattle,  by  Rosa  Bonheur,  Chialiva, 
Schreyer 

Celebrated  Portraits,  by  Gainsborough.  Durer,   Van  Dyck. 

Reproductions  of  Famous  Recent  Works  of  Carolus  Duran, 
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trious contemporary  artists. 


^^DESCRIPTIVE  CATALOGUES  of  40  pages,  describing  each  picture,  sent  free  by  mail  to  any  one.     Heliotypes 
sent,  securely  wrapped  and  postpaid,  on  receipt  of  price. 


JAMES  R.  OSGOOD  &  CO.'S  HELIOTYPE  ART-GALLERY, 

213    AND    215    TREMONT    STREET.   BOSTON. 


"^ang  in  catljctiraljs  Dim  anD  baist, 
U\l)tvc  tl)c  majcjstic  organ  roUcti 
Contrition  from  it0  moutl)?j  of  gold." 


*^* Musical  ambition  can  reach  no  higher  than  to  a  mastery  of  the  organ.^j^* 


An  experience  of  forty  years  in  the  best  classes  of  instruments,  for  the  most  judicious  classes  of  patrons 
is  the  basis  of  the  unsurpassed  reputation  of  the 

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These  organs  are  guaranteed  to  excel,  although  offered  at  moderate  prices,  m  the  great  requisites  of 

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ihe  sweet,  soft  stops'  "  Dulcetta  "  and  "  Delicato,"  found  in  iio  other  organs.  Thev  are  sold  at  prices 
which  will  suit  any  reasonable  inquirer. 


SEND   FOR   A   CAT.\LOGUE  TO   THE 


GEORGE   WOODS   COMPANY, 

OFFICE    AND    MANUFACTORY   AT   MIDDLEBORO'.   MASS. 

Boston  Salesroom  .    .   608    WASHINGTON    STREET. 


Ey-The   GEORGE    WOODS    PIANOS   are  strictly  flrst-class  instruments. 


TOSEPHGILLOTTS 


^v't>wf-a 


^^VS/5 


;^^>5>^  THE  MOST  PERFECT  OF  PENS. 


>1^ 


?^fe 


POR  PineWRITING, 
N??  1-303-170- 


^^. 


\^" 


^"t^"" 


'S^Oq  -V     ^- Jqq  '  //Vg,      all  hands.;  Y  0^     t^°  «5-sv>^  ^^V' 

SOLD  BY  ALL  DEALERS  THROUGHOUT  THE  WORLD. 

Wholesale  Warehouse,  91  John  Street,  New  York. 


University  of  California 

SOUTHERN  REGIONAL  LIBRARY  FACILITY 

Return  this  material  to  the  library 

from  which  it  was  borrowed. 


D     000  030  481     6 


5>='  '•<»  ■■«, . 


^'j^  ww^f^.>^ 


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